No one will read these books for the mystery, which is so glacially developed it’s easy to forget, what with all the sex,...
One and a half volumes into her series, Peloquin’s central mystery plot finally begins to come together.
A few weeks after having moved to a superrich swath of the Connecticut shore (The Innocents, 2012), sisters Charlie and Alice are beginning to settle in—kind of. Charlie and Jude are a confirmed couple, and shockingly, Jude’s cousin and sometime lover, Cybill, seems to welcome this development. Alice and Tommy, her dead stepsister Camilla’s former boyfriend, are also romantically paired, though Tommy insists on keeping the relationship secret. Alice’s mother has confirmed her longtime affair with her new, moneybags second husband—actually Alice’s father, making the girl’s relationship to Camilla an uncomfortably close one. On the periphery are two poorer characters: Stan, the handsome waiter Charlie discusses Fitzgerald with, and Nick, newly returned from Dartmouth for the summer; he’s Tommy’s disgraced ex-doctor father’s former intern. Viewed from above, it’s a Busby Berkeley ballet, country-club style: Characters couple; they part; they rearrange and couple again according to some unheard, rich-people gavotte. At the dismal center is Camilla’s suicide, which Alice thinks was foul play. Peloquin can write, there’s no question, and the dialectic she sets up between rich and poor is an interesting one, when her characters aren’t bitching at each other.
No one will read these books for the mystery, which is so glacially developed it’s easy to forget, what with all the sex, drugs and misery. (Chick-lit/mystery. 14 & up)Pub Date: June 18, 2013
ISBN: 978-1-59514-566-6
Page Count: 272
Publisher: Razorbill/Penguin
Review Posted Online: April 23, 2013
Kirkus Reviews Issue: May 15, 2013
BOOK REVIEW
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
A standing ovation.
Tackles family secrets, toxic masculinity, and socio-economic differences with incisive clarity and candor.
Camino Rios lives in the Dominican Republic and yearns to go to Columbia University in New York City, where her father works most of the year. Yahaira Rios, who lives in Morningside Heights, hasn’t spoken to her dad since the previous summer, when she found out he has another wife in the Dominican Republic. Their lives collide when this man, their dad, dies in an airplane crash with hundreds of other passengers heading to the island. Each protagonist grieves the tragic death of their larger-than-life father and tries to unravel the tangled web of lies he kept secret for almost 20 years. The author pays reverent tribute to the lives lost in a similar crash in 2001. The half sisters are vastly different—Yahaira is dark skinned, a chess champion who has a girlfriend; Camino is lighter skinned, a talented swimmer who helps her curandera aunt deliver neighborhood babies. Despite their differences, they slowly forge a tenuous bond. The book is told in alternating chapters with headings counting how many days have passed since the fateful event. Acevedo balances the two perspectives with ease, contrasting the girls’ environments and upbringings. Camino’s verses read like poetic prose, flowing and straightforward. Yahaira’s sections have more breaks and urgent, staccato beats. Every line is laced with betrayal and longing as the teens struggle with loving someone despite his imperfections.
A standing ovation. (Verse novel. 14-18)Pub Date: May 5, 2020
ISBN: 978-0-06-288276-9
Page Count: 432
Publisher: Quill Tree Books/HarperCollins
Review Posted Online: March 1, 2020
Kirkus Reviews Issue: March 15, 2020
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