A respectably ambitious but unfocused debut novel.

AGELESS CONFESSIONS

An experimental work of fiction that eventually focuses on characters in the orbit of an eating-disorder treatment center.

The book begins with a biblical prologue in Jerusalem in 985 B.C.E. featuring King David of Israel before quickly jumping onboard the ship Confessions that’s en route to Portugal in 1431. The captain is searching for his daughter, Aria, who created the “sacred book belonging to royalty,” the Fleurs de Lys. Shortly thereafter, the story focuses on Bird, a weathered woman who lives in a graveyard. These characters are never brought up again after the scene switches to the City of Roses eating-disorder clinic in the Canadian community of Rockland in 1998, run by a woman named Maggie. One day at the clinic, caregiver Carla roughly attempts to feed a patient; when her new co-worker, Erin, sees this, the latter accuses the clinic of force-feeding. Erin goes on to write a newspaper story about City of Roses that eventually results in the clinic’s shutdown. Maggie’s daughter, Gabrielle, later writes a book about the clinic that’s made into a movie; the deceased Ebony Velvet was a former patient there, and Maggie’s determined to share her story. The next section focuses on Ebony’s experience in the hospital;she has a baby whomshe names Snowflake Princess, aka Ivory, who’s the central character of the remainder of the work. There’s definite promise in Street’s prose, as she has a knack for poetic description: “When kindness would rule as a queen, the night would be star-thick, spelling joy from one generation to the next.” At times, though, the highly detailed writing feels somewhat stilted and awkward: “When Ebony tried not to listen, Chloe spoke. She carried a black Bible. Ebony felt helpless to change her.” Overall, the execution of the story is uneven, as the earlier sections don’t tie into the later parts and feel more like separate stories; it’s unclear what the author’s attempting to do or say with this unusual structure. The work has potential, but it would have benefited from more straightforward organization.

A respectably ambitious but unfocused debut novel.

Pub Date: N/A

ISBN: N/A

Page Count: -

Publisher: Manuscript

Review Posted Online: March 9, 2021

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A wistfully nostalgic look at endings, beginnings, and loving the people who will always have your back.

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HAPPY PLACE

Exes pretend they’re still together for the sake of their friends on their annual summer vacation.

Wyn Connor and Harriet Kilpatrick were the perfect couple—until Wyn dumped Harriet for reasons she still doesn’t fully understand. They’ve been part of the same boisterous friend group since college, and they know that their breakup will devastate the others and make things more than a little awkward. So they keep it a secret from their friends and families—in fact, Harriet barely even admits it to herself, focusing instead on her grueling hours as a surgical resident. She’s ready for a vacation at her happy place—the Maine cottage she and her friends visit every summer. But (surprise!) Wyn is there too, and he and Harriet have to share a (very romantic) room and a bed. Telling the truth about their breakup is out of the question, because the cottage is up for sale, and this is the group’s last hurrah. Determined to make sure everyone has the perfect last trip, Harriet and Wyn resolve to fake their relationship for the week. The problem with this plan, of course, is that Harriet still has major feelings for Wyn—feelings that only get stronger as they pretend to be blissfully in love. As always, Henry’s dialogue is sparkling and the banter between characters is snappy and hilarious. Wyn and Harriet’s relationship, shown both in the past and the present, feels achingly real. Their breakup, as well as their complicated relationships with their own families, adds a twinge of melancholy, as do the relatable growing pains of a group of friends whose lives are taking them in different directions.

A wistfully nostalgic look at endings, beginnings, and loving the people who will always have your back.

Pub Date: April 25, 2023

ISBN: 9780593441275

Page Count: 400

Publisher: Berkley

Review Posted Online: Feb. 23, 2023

Kirkus Reviews Issue: March 15, 2023

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Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.

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IT STARTS WITH US

The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.

Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.

Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.

Pub Date: Oct. 18, 2022

ISBN: 978-1-668-00122-6

Page Count: 352

Publisher: Atria

Review Posted Online: July 26, 2022

Kirkus Reviews Issue: Aug. 15, 2022

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