A hopeful, sensational take on the clone morality tale told in an adept, amusing voice.

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HALF LIFE

A stressed-out high school student finds herself living the plot of a science-fiction thriller with her self-possessed clone.

Sixteen-year-old Lucille Harper feels like she’s just another “privileged, straight white girl with a four-point-oh from a Mountain State.” Her sardonic inner thoughts reveal her ever present fear that she’s not good enough for anybody—not the Ivy Leagues, not the boy she likes, and not her best friend, Cass, a popular beauty (cued as black) who’s been spending her time with her new boyfriend. Plus, Lucille’s parents are getting divorced. It’s the perfect time for a shadowy corporation to offer her a clone of herself. Lucille, finally feeling good enough for somebody, figures she’ll get a much-needed assistant; meanwhile, Dr. Thompson, another ambitious white woman, needs a working prototype. It takes the snarky defiance of clone Lucy to show Lucille that the consequences of her rashness could hurt a lot more people than her original self. Jumpy at first, the dual narration picks up speed when corporate human rights violations add deadly urgency to more garden-variety teen drama. Occasionally, long-winded dialogue and ’90s references make the characters seem more like adult millennials than contemporary teens, but the casual use of “allo” restores a modern sensibility.

A hopeful, sensational take on the clone morality tale told in an adept, amusing voice. (Science fiction. 15-18)

Pub Date: June 9, 2020

ISBN: 978-0-525-58050-8

Page Count: 304

Publisher: Knopf

Review Posted Online: March 11, 2020

Kirkus Reviews Issue: April 1, 2020

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Green seamlessly bridges the gap between the present and the existential, and readers will need more than one box of tissues...

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THE FAULT IN OUR STARS

He’s in remission from the osteosarcoma that took one of his legs. She’s fighting the brown fluid in her lungs caused by tumors. Both know that their time is limited.

Sparks fly when Hazel Grace Lancaster spies Augustus “Gus” Waters checking her out across the room in a group-therapy session for teens living with cancer. He’s a gorgeous, confident, intelligent amputee who always loses video games because he tries to save everyone. She’s smart, snarky and 16; she goes to community college and jokingly calls Peter Van Houten, the author of her favorite book, An Imperial Affliction, her only friend besides her parents. He asks her over, and they swap novels. He agrees to read the Van Houten and she agrees to read his—based on his favorite bloodbath-filled video game. The two become connected at the hip, and what follows is a smartly crafted intellectual explosion of a romance. From their trip to Amsterdam to meet the reclusive Van Houten to their hilariously flirty repartee, readers will swoon on nearly every page. Green’s signature style shines: His carefully structured dialogue and razor-sharp characters brim with genuine intellect, humor and desire. He takes on Big Questions that might feel heavy-handed in the words of any other author: What do oblivion and living mean? Then he deftly parries them with humor: “My nostalgia is so extreme that I am capable of missing a swing my butt never actually touched.” Dog-earing of pages will no doubt ensue.

Green seamlessly bridges the gap between the present and the existential, and readers will need more than one box of tissues to make it through Hazel and Gus’ poignant journey. (Fiction. 15 & up)

Pub Date: Jan. 10, 2012

ISBN: 978-0-525-47881-2

Page Count: 272

Publisher: Dutton

Review Posted Online: Jan. 10, 2012

Kirkus Reviews Issue: Jan. 15, 2012

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Best leave it at maybe so.

YES NO MAYBE SO

Two 17-year-olds from the northern suburbs of Atlanta, Georgia, work together on a campaign for a progressive state senate candidate in an unlikely love story.

Co-authors Albertalli (Leah on the Offbeat, 2018, etc.) and Saeed (Bilal Cooks Daal, 2019, etc.) present Jamie Goldberg, a white Ashkenazi Jewish boy who suffers from being “painfully bad at anything girl-related,” and Maya Rehman, a Pakistani American Muslim girl struggling with her parents’ sudden separation. Former childhood best friends, they find themselves volunteered as a team by their mothers during a Ramadan “campaign iftar.” One canvassing adventure at a time, they grow closer despite Maya’s no-dating policy. Chapters alternate between Maya’s and Jamie’s first-person voices. The endearing, if somewhat clichéd, teens sweetly connect over similarities like divorced parents, and their activism will resonate with many. Jamie is sensitive, clumsy, and insecure; Maya is determined, sassy, a dash spoiled, and she swears freely. The novel covers timeless themes of teen activism and love-conquers-all along with election highs and lows, messy divorces, teen angst, bat mitzvah stress, social media gaffes, right-wing haters, friendship drama, and cultural misunderstandings, but the explicit advocacy at times interferes with an immersive reading experience and the text often feels repetitious. Maya’s mother is hijabi, and while Maya advocates against a hijab ban, she chooses not to wear hijab and actively wrestles with what it means to be an observant Muslim.

Best leave it at maybe so. (Romance. 14-18)

Pub Date: Feb. 4, 2020

ISBN: 978-0-06-293704-9

Page Count: 448

Publisher: Balzer + Bray/HarperCollins

Review Posted Online: Nov. 17, 2019

Kirkus Reviews Issue: Dec. 15, 2019

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