by Lillian Faderman & Stuart Timmons ‧ RELEASE DATE: Oct. 1, 2006
Vital intellectual fare brimming with fascinating history.
An exceptionally literate, overstuffed chronicle of gay Tinseltown.
In alternating sections on Los Angeles lesbians and gay men, historian Faderman (Naked in the Promised Land, 2003, etc.) and freelance journalist Timmons, respectively, deliver an exhaustive account. Beginning in the 1880s, both groups migrated in droves from less liberal locales to freewheeling, anonymous Southern California, and a supportive, unified community emerged even as laws against sodomy and “masquerading” (i.e., cross-dressing) kept guard over the city’s bedrooms. These enterprising pioneers were soon followed by vaudeville exiles who flocked to Hollywood and built its entertainment foundation. Post-Prohibition nightclubs catered to such “sexually flexible” entertainers as Marlene Dietrich, James Cagney and Mae West. The years after WWII saw a boom in gay meeting places—beaches, bars, clubs, public parks for men, city streets and restaurant lounges for women—even though all of them were subjected to aggressive, relentless Vice Squad raids. Small neighborhood enclaves of gays and lesbians began to materialize, creating refuges that sparked the mid-’60s gay organization PRIDE (Personal Rights in Defense and Education), whose “Pride Night” meetings were all-encompassing gay-empowerment events. The interracial homophile group ONE, the social-justice-oriented Mattachine and the lesbian political equality organization Daughters of Bilitis proved worthy precursors and paved the way toward the 1969 Stonewall Rebellion. The openly gay and lesbian population continued to skyrocket during the ’70s, and that lively era gives the book’s prose a shot in the arm as the authors describe the revitalized L.A. demographic, the pink neon discos of West Hollywood and a community center disseminating vital information about the AIDS epidemic. Among the timely issues affecting gay youth today that get spirited discussion are the questions of gender and identity. Both authors are Californians, and their love of Hollywood history and lore shines bright.
Vital intellectual fare brimming with fascinating history.Pub Date: Oct. 1, 2006
ISBN: 0-465-02288-X
Page Count: 264
Publisher: Basic Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 2006
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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