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IF POLAR BEARS DISAPPEARED

From the If Animals Disappeared series

A solid addition to the climate-change canon for those interested in saving a fragile world.

Dire consequences attend the unchecked melting of Arctic sea ice.

The more the ice melts, the more the Arctic climate changes. The more that air and ground temperatures rise, the more the frozen ecosystem’s inhabitants, including plants and insects, suffer from dwindling habitats; threats to food sources; and imbalances in feeding, breeding, and migration patterns. Solid information is packed into this brief work that lucidly raises the alarm for young readers, with each spread capturing the thrilling, chilling north in rich, dramatic blue swathes of seawater set off by icy glaciers and snowdrifts. Child-friendly, occasionally cluttered paintings, some with labels, highlight polar bears and their Arctic neighbors; a spread of vignettes illustrates how changes to plant life affect wildlife. One labeled spread explains all: As seawater warms, it absorbs sunlight, thus heating more water and melting more ice. One poignant spread depicts a bewildered polar bear mom, eyeing readers and flanked by her twin cubs, drifting on a shrinking ice floe. Two human children, one brown-skinned and one pale, occasionally appear in the illustrations as well. The book ends on a hopeful note, reassuring youngsters that “we still have time to save polar bears and slow the loss of Arctic ice.” A note in the backmatter offers conservation tips.

A solid addition to the climate-change canon for those interested in saving a fragile world. (author’s note, bibliography, additional sources) (Informational picture book. 6-9)

Pub Date: Aug. 28, 2018

ISBN: 978-1-250-14319-8

Page Count: 42

Publisher: Roaring Brook Press

Review Posted Online: May 13, 2018

Kirkus Reviews Issue: June 1, 2018

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THE BIG BOOK OF THE BLUE

A refreshing dive past some of our world’s marine wonders.

Denizens of the deep crowd oversized pages in this populous gallery of ocean life.

The finny and tentacled sea creatures drifting or arrowing through Zommer’s teeming watercolor seascapes are generally recognizable, and they are livened rather than distorted by the artist’s tendency to place human eyes on the same side of many faces, Picasso-like. Headers such as “Ink-teresting” or “In for the krill” likewise add a playful tone to the pithy comments on anatomical features or behavioral quirks that accompany the figures (which include, though rarely, a white human diver). The topical spreads begin with an overview of ocean families (“Some are hairy, some have scales, some have fins and some are boneless and brainless!”), go on to introduce select animals in no particular order from sea horses and dragonets to penguins and pufferfish, then close with cautionary remarks on chemical pollution and floating plastic. The author invites readers as they go to find both answers to such questions as “Why does a crab run sideways?” and also a small sardine hidden in some, but not all, of the pictures. For the latter he provides a visual key at the end, followed by a basic glossary.

A refreshing dive past some of our world’s marine wonders. (index) (Informational picture book. 6-9)

Pub Date: June 5, 2018

ISBN: 978-0-500-65119-3

Page Count: 64

Publisher: Thames & Hudson

Review Posted Online: April 24, 2018

Kirkus Reviews Issue: May 15, 2018

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THE NOT BAD ANIMALS

An amiable point-counterpoint for budding animal lovers/haters.

Forty-two creatures of ill repute, from scorpions to hyenas, put on their best faces and protest that they’re just misunderstood.

In paired double-page spreads, Corrigan first presents for each animal the case for considering it scary or gross, then, with the page turn, allows it to contradict itself. “I’m creepy and I’m crawly,” a spider supposedly gloats. “I spin webs from my butt and leave them in places where I KNOW you’ll get stuck in them.” In the following spread, the spider points out that “Only half of my kind spin webs, and we really, REALLY don’t want you to get stuck in them!” Along with pointing to roles in the natural order and including many crowd-pleasing references to butts and poop, these counterarguments tend to run along the lines of the rat’s “I’m a fluffy little SWEETIE!” and the toad’s “I am a plump lump of CUTENESS!” Each testimonial is backed up by a box of background information baldly labeled “FACTS.” Readers may find the chorus of smiley faces and claims of adorability unconvincing, but they will at least come away with more nuanced impressions of each creepy-crawly. The humorous cartoon illustrations don’t measure up to the in-your-face photos of Seymour Simon’s classic Animals Nobody Loves (2001), but this gallery of beasties unfairly regarded as “icky and ewwy and downright gross” is considerably broader.

An amiable point-counterpoint for budding animal lovers/haters. (glossary) (Nonfiction. 6-9)

Pub Date: April 7, 2020

ISBN: 978-0-7112-4748-2

Page Count: 160

Publisher: Frances Lincoln

Review Posted Online: Feb. 25, 2020

Kirkus Reviews Issue: March 15, 2020

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