An intense, recursive book that evokes the chill despair of a Bergman film.

WELCOME TO AMERICA

A girl gives her dysfunctional family an extreme and distressing version of the silent treatment.

Ellen, the narrator of the second novel by Boström Knausgård and first published in the U.S., is certain she’s killed her father, because she constantly prayed for his death. “I had access to God. It was me and God who’d killed my dad,” she tells us early on. That line is more than enough reason to fire up the “Unreliable Narrator” siren, but Boström Knausgård encourages the reader not to dismiss her situation as madness but empathize with it as trauma. Ellen's mentally ill father has been institutionalized and may have tried to kill the family by leaving the gas on; her brother is angry and abusive; her mother, an actress, is distant and narcissistic. (The title refers to her in a role as a “fallen Statue of Liberty.”) In that light, Ellen’s silence (and this book) represents a protective carapace against an adulthood she associates with pain: “I stopped talking when growing began to take up too much space inside me. I was sure I couldn’t do both, grow and talk at the same time.” The mood intensifies as Ellen’s mother and brother pursue their own relationships, but the novel doesn’t have an arc so much as a set of fuguelike variations on Ellen’s musings about death and loss. Boström Knausgård’s writing (via Aitken’s translation) is crystalline and careful; like her ex-husband, Karl Ove Knausgård, she has an eye for quotidian but revealing details, though she eschews his expansiveness. Here, restraint and ambiguity prevail, whether it’s about the intensity of the abuse Ellen sustained or the veracity of her assertions. Regardless, it’s a taut portrait of how difficult it can be to reconcile ideals about faith and family with their messier realities.

An intense, recursive book that evokes the chill despair of a Bergman film.

Pub Date: Sept. 3, 2019

ISBN: 978-1-64286-041-2

Page Count: 128

Publisher: World Editions

Review Posted Online: June 17, 2019

Kirkus Reviews Issue: July 1, 2019

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With frank language and patient plotting, this gangly teen crush grows into a confident adult love affair.

LOVE AND OTHER WORDS

Eleven years ago, he broke her heart. But he doesn’t know why she never forgave him.

Toggling between past and present, two love stories unfold simultaneously. In the first, Macy Sorensen meets and falls in love with the boy next door, Elliot Petropoulos, in the closet of her dad’s vacation home, where they hide out to discuss their favorite books. In the second, Macy is working as a doctor and engaged to a single father, and she hasn’t spoken to Elliot since their breakup. But a chance encounter forces her to confront the truth: what happened to make Macy stop speaking to Elliot? Ultimately, they’re separated not by time or physical remoteness but by emotional distance—Elliot and Macy always kept their relationship casual because they went to different schools. And as a teen, Macy has more to worry about than which girl Elliot is taking to the prom. After losing her mother at a young age, Macy is navigating her teenage years without a female role model, relying on the time-stamped notes her mother left in her father’s care for guidance. In the present day, Macy’s father is dead as well. She throws herself into her work and rarely comes up for air, not even to plan her upcoming wedding. Since Macy is still living with her fiance while grappling with her feelings for Elliot, the flashbacks offer steamy moments, tender revelations, and sweetly awkward confessions while Macy makes peace with her past and decides her future.

With frank language and patient plotting, this gangly teen crush grows into a confident adult love affair.

Pub Date: April 10, 2018

ISBN: 978-1-5011-2801-1

Page Count: 416

Publisher: Gallery Books/Simon & Schuster

Review Posted Online: Jan. 23, 2018

Kirkus Reviews Issue: Feb. 1, 2018

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Hoover is one of the freshest voices in new-adult fiction, and her latest resonates with true emotion, unforgettable...

MAYBE SOMEDAY

Sydney and Ridge make beautiful music together in a love triangle written by Hoover (Losing Hope, 2013, etc.), with a link to a digital soundtrack by American Idol contestant Griffin Peterson. 

Hoover is a master at writing scenes from dual perspectives. While music student Sydney is watching her neighbor Ridge play guitar on his balcony across the courtyard, Ridge is watching Sydney’s boyfriend, Hunter, secretly make out with her best friend on her balcony. The two begin a songwriting partnership that grows into something more once Sydney dumps Hunter and decides to crash with Ridge and his two roommates while she gets back on her feet. She finds out after the fact that Ridge already has a long-distance girlfriend, Maggie—and that he's deaf. Ridge’s deafness doesn’t impede their relationship or their music. In fact, it creates opportunities for sexy nonverbal communication and witty text messages: Ridge tenderly washes off a message he wrote on Sydney’s hand in ink, and when Sydney adds a few too many e’s to the word “squee” in her text, Ridge replies, “If those letters really make up a sound, I am so, so glad I can’t hear it.” While they fight their mutual attraction, their hope that “maybe someday” they can be together playfully comes out in their music. Peterson’s eight original songs flesh out Sydney’s lyrics with a good mix of moody musical styles: “Living a Lie” has the drama of a Coldplay piano ballad, while the chorus of “Maybe Someday” marches to the rhythm of the Lumineers. But Ridge’s lingering feelings for Maggie cause heartache for all three of them. Independent Maggie never complains about Ridge’s friendship with Sydney, and it's hard to even want Ridge to leave Maggie when she reveals her devastating secret. But Ridge can’t hide his feelings for Sydney long—and they face their dilemma with refreshing emotional honesty. 

Hoover is one of the freshest voices in new-adult fiction, and her latest resonates with true emotion, unforgettable characters and just the right amount of sexual tension.

Pub Date: March 18, 2014

ISBN: 978-1-4767-5316-4

Page Count: 384

Publisher: Atria

Review Posted Online: May 7, 2014

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