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TALIA AND THE RUDE VEGETABLES

Talia, a city girl, is visiting her grandmother, who tells her to “bring back seven root vegetables” from the garden....

A little girl’s misunderstanding, the harvesting of some root vegetables and a recipe for stew merge for an amusing Jewish New Year story.

Talia, a city girl, is visiting her grandmother, who tells her to “bring back seven root vegetables” from the garden. Hearing “rude” for “root,” the confused child ponders over this while she proceeds to find her perception of rude veggies in an ornery onion, a garish garlic, a crooked carrot, a terrible turnip, lumpy bumpy potatoes, big ugly parsnips and “rude-abagas…definitely rude.” Pleased with how well she has satisfied Grandma’s request, Talia decides to donate the other perfectly nice vegetables to the Rabbi as a mitzvah for a poor family. The narrative, with its recurring theme of “what Grandma wants,” is matched well to Assirelli’s illustrations. Their terra-cotta and earthy hues combine with deep purple and olive-green tones for kitchen and backyard scenes. Talia’s round face is drawn with thin lines detailing expressions of surprise, pleasure and the exertion of digging and pulling. Marshall incorporates many new words to extend the term “rude” while at the same time allowing youngsters, who will soon realize Talia’s mix-up, to learn the names of the various root vegetables.

Pub Date: Sept. 1, 2011

ISBN: 978-0-7613-5217-4

Page Count: 24

Publisher: Kar-Ben

Review Posted Online: Aug. 9, 2011

Kirkus Reviews Issue: Sept. 1, 2011

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THE SCARECROW

A welcome addition to autumnal storytelling—and to tales of traditional enemies overcoming their history.

Ferry and the Fans portray a popular seasonal character’s unlikely friendship.

Initially, the protagonist is shown in his solitary world: “Scarecrow stands alone and scares / the fox and deer, / the mice and crows. / It’s all he does. It’s all he knows.” His presence is effective; the animals stay outside the fenced-in fields, but the omniscient narrator laments the character’s lack of friends or places to go. Everything changes when a baby crow falls nearby. Breaking his pole so he can bend, the scarecrow picks it up, placing the creature in the bib of his overalls while singing a lullaby. Both abandon natural tendencies until the crow learns to fly—and thus departs. The aabb rhyme scheme flows reasonably well, propelling the narrative through fall, winter, and spring, when the mature crow returns with a mate to build a nest in the overalls bib that once was his home. The Fan brothers capture the emotional tenor of the seasons and the main character in their panoramic pencil, ballpoint, and digital compositions. Particularly poignant is the close-up of the scarecrow’s burlap face, his stitched mouth and leaf-rimmed head conveying such sadness after his companion goes. Some adults may wonder why the scarecrow seems to have only partial agency, but children will be tuned into the problem, gratified by the resolution.

A welcome addition to autumnal storytelling—and to tales of traditional enemies overcoming their history. (Picture book. 4-6)

Pub Date: Sept. 3, 2019

ISBN: 978-0-06-247576-3

Page Count: 40

Publisher: Harper/HarperCollins

Review Posted Online: May 7, 2019

Kirkus Reviews Issue: June 1, 2019

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THE CRAYONS TRICK OR TREAT

A laugh-inducing Halloween read-along.

The Crayons return in time for Halloween as vampire-costumed Purple coaches the dressed-up wax pack through its first trick-or-treating venture.

It takes five houses’ worth of door-knocks for this skeleton crew of seven to perfect the protocol, with enough outlandish flubs to generate giggles in Halloween-savvy preschoolers. At Door No. 1, Orange, dressed as a jack-o’-lantern, says, “Give us your candy, Lady.” At the next, the gang, encouraged by Purple to “think holiday,” responds with an impressive array of misguided greetings, including “Merry Christmas!” and “Happy American Cheese Month!” Later, White, levitating impressively in a ghost costume, overreacts to Halloween’s “scary” aspect by overwhelming residents with a “BOO!” Peach, unnamed here but recognizably wrapperless from the initial title, exuberantly (and inappropriately) repeats, “I’m naked!” Finally, the troupe perfects its treat-inducing line, though a certain ghost cannot resist an ad lib. This excursion, like many of the holiday-themed Crayon books, has a smaller trim size, a lower price point, and far less complexity than Daywalt and Jeffers’ first two Crayon titles. Still, the pair deftly let young children in on the jokes through funny, hand-lettered dialogue and the visually telegraphed, all-in haplessness of this well-branded band. (This book was reviewed digitally.)

A laugh-inducing Halloween read-along. (Picture book. 4-6)

Pub Date: Sept. 6, 2022

ISBN: 978-0-593-62102-8

Page Count: 32

Publisher: Philomel

Review Posted Online: Aug. 16, 2022

Kirkus Reviews Issue: Sept. 1, 2022

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