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ALL FISHERMEN ARE LIARS

TRUE TALES FROM THE DRY DOCK BAR

A crackling collection of fishing yarns.

One of their own takes us along for an enjoyable evening saloon-side in the company of small-scale commercial fishermen and their tales, tall and true.

After two memoirs of her life at sea (The Lobster Chronicles, 2002, etc.), the author writes, “I am sick to death of Linda Greenlaw,” so these stories take her out of herself and into the words of other fishermen from her base in Portland, Maine. Greenlaw goes to the bar to encourage an older friend of hers to retire, but as one fisherman after another enters the establishment, the evening gravitates toward sea stories. “Fishermen lie to protect their livelihood and pride, but also purely in the interests of entertainment,” the author notes, yet none of these remembrances of bad days at sea feel overwrought. The bread-and-butter stories chronicle hellacious weather, falls into the water that lead to sojourns on abandoned islands, clandestine runs with marijuana rather than swordfish in the hold, bad catches, and bad crews. Winds are so strong they bend glass, presentiments save some lives and destroy others, tantalizing paychecks make fools of veterans. All fishermen may be liars, but these stories are spun out with such ease that you’d need tweezers to lift out the malarkey embedded in otherwise true material. And they’re spun at full, leisurely length, which gives the proceedings their proper tone of foreboding. Greenlaw draws an impressive picture of the independent fisherman’s world, with all its hard choices: for instance, do you cut loose a piece of equipment that is compromising a boat's safety, even though its cost equals the potential salary of the entire crew? In the end, it’s easy to see that fishing is not simply what these people do, but what they are.

A crackling collection of fishing yarns.

Pub Date: July 7, 2004

ISBN: 1-4013-0070-7

Page Count: 240

Publisher: Hyperion

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 2004

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WHY FISH DON'T EXIST

A STORY OF LOSS, LOVE, AND THE HIDDEN ORDER OF LIFE

A quirky wonder of a book.

A Peabody Award–winning NPR science reporter chronicles the life of a turn-of-the-century scientist and how her quest led to significant revelations about the meaning of order, chaos, and her own existence.

Miller began doing research on David Starr Jordan (1851-1931) to understand how he had managed to carry on after the 1906 San Francisco earthquake destroyed his work. A taxonomist who is credited with discovering “a full fifth of fish known to man in his day,” Jordan had amassed an unparalleled collection of ichthyological specimens. Gathering up all the fish he could save, Jordan sewed the nameplates that had been on the destroyed jars directly onto the fish. His perseverance intrigued the author, who also discusses the struggles she underwent after her affair with a woman ended a heterosexual relationship. Born into an upstate New York farm family, Jordan attended Cornell and then became an itinerant scholar and field researcher until he landed at Indiana University, where his first ichthyological collection was destroyed by lightning. In between this catastrophe and others involving family members’ deaths, he reconstructed his collection. Later, he was appointed as the founding president of Stanford, where he evolved into a Machiavellian figure who trampled on colleagues and sang the praises of eugenics. Miller concludes that Jordan displayed the characteristics of someone who relied on “positive illusions” to rebound from disaster and that his stand on eugenics came from a belief in “a divine hierarchy from bacteria to humans that point[ed]…toward better.” Considering recent research that negates biological hierarchies, the author then suggests that Jordan’s beloved taxonomic category—fish—does not exist. Part biography, part science report, and part meditation on how the chaos that caused Miller’s existential misery could also bring self-acceptance and a loving wife, this unique book is an ingenious celebration of diversity and the mysterious order that underlies all existence.

A quirky wonder of a book.

Pub Date: April 14, 2020

ISBN: 978-1-5011-6027-1

Page Count: 224

Publisher: Simon & Schuster

Review Posted Online: Jan. 1, 2020

Kirkus Reviews Issue: Feb. 1, 2020

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CONCUSSION

Effectively sobering. Suffice it to say that Pop Warner parents will want to armor their kids from head to toe upon reading...

A maddening, well-constructed tale of medical discovery and corporate coverup, set in morgues, laboratories, courtrooms, and football fields.

Nigeria-born Bennet Omalu is perhaps an unlikely hero, a medical doctor board-certified in four areas of pathology, “anatomic, clinical, forensic, and neuropathology,” and a well-rounded specialist in death. When his boss, celebrity examiner Cyril Wecht (“in the autopsy business, Wecht was a rock star”), got into trouble for various specimens of publicity-hound overreach, Omalu was there to offer patient, stoical support. The student did not surpass the teacher in flashiness, but Omalu was a rock star all his own in studying the brain to determine a cause of death. Laskas’ (Creative Writing/Univ. of Pittsburgh; Hidden America, 2012, etc.) main topic is the horrific injuries wrought to the brains and bodies of football players on the field. Omalu’s study of the unfortunate brain of Pittsburgh Steeler Mike Webster, who died in 2002 at 50 of a supposed heart attack, brought new attention to the trauma of concussion. Laskas trades in sportwriter-ese, all staccato delivery full of tough guyisms and sports clichés: “He had played for fifteen seasons, a warrior’s warrior; he played in more games—two hundred twenty—than any other player in Steelers history. Undersized, tough, a big, burly white guy—a Pittsburgh kind of guy—the heart of the best team in history.” A little of that goes a long way, but Laskas, a Pittsburgher who first wrote of Omalu and his studies in a story in GQ, does sturdy work in keeping up with a grim story that the NFL most definitely did not want to see aired—not in Omalu’s professional publications in medical journals, nor, reportedly, on the big screen in the Will Smith vehicle based on this book.

Effectively sobering. Suffice it to say that Pop Warner parents will want to armor their kids from head to toe upon reading it.

Pub Date: Nov. 24, 2015

ISBN: 978-0-8129-8757-7

Page Count: 288

Publisher: Random House

Review Posted Online: Sept. 14, 2015

Kirkus Reviews Issue: Oct. 1, 2015

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