An involving mystery elevated by vivid characterizations.
A black police detective investigating a murder finds himself drawn to a white woman who claims to have psychic visions of the killer.
In time-honored, crime novel tradition, Detective Jesse Aaron gets his world rocked when a beautiful woman enters his office with information about a “nasty case with no easy answers.” The murder victim is Rosa Logan. Sariah Brennan states she knows who the killer is. “I don’t know his full name, but he’s called Casey,” she informs Aaron. “A big dark man with a scar on his neck.” When Aaron asks her whether she was an eyewitness to the crime, she responds: “I saw him…in my head, like in a vision.” The incredulous Aaron is surprised when parts of Brennan’s story check out, including key information that had been withheld from the media. Complicating matters is that the suspect, Kazimir Capek, or K.C., has reportedly been dead for three years. Brennan not only sticks to her story, she also insists to Aaron and his black female partner, Camille Farris, that the killer is still alive and another woman, named Elisabeth, is in danger. Aaron doesn’t know what to make of Brennan. Farris is openly hostile, bad cop to his good cop (“If you’re through wasting our time, we have work to do”). But Aaron cannot convince himself he is just intrigued by the mystery. He wonders whether something is happening between him and Brennan: “When she asked him to call her Sariah, did she guess how easily he already thought of her that way?” Griffin has a gift for romantic suspense. Aaron and Brennan’s budding relationship, which is complicated by her secrets, builds deliberately and credibly and elicits as much interest as the resolution of the murder case. The issue of race adds an intriguing wrinkle to old school murder mystery tropes, although this could have been developed further. When Brennan remarks that she isn’t used to being alone with someone she doesn’t know, Aaron wonders if “someone” maybe means a black man. And Farris’ tirades include her objection to “brothers who try to score points by getting a white chick.” She tells Aaron: “It shouldn’t be so hard to stick to your own kind.”
An involving mystery elevated by vivid characterizations.Pub Date: March 9, 2020
ISBN: 978-1-5092-3045-7
Page Count: 208
Publisher: The Wild Rose Press
Review Posted Online: March 12, 2020
Review Program: Kirkus Indie
This book and its author are cleverer than you and want you to know it.
In this mystery, the narrator constantly adds commentary on how the story is constructed.
In 1929, during the golden age of mysteries, a (real-life) writer named Ronald Knox published the “10 Commandments of Detective Fiction,” 10 rules that mystery writers should obey in order to “play fair.” When faced with his own mystery story, our narrator, an author named Ernest Cunningham who "write[s] books about how to write books," feels like he must follow these rules himself. The story seemingly begins on the night his brother Michael calls to ask him to help bury a body—and shows up with the body and a bag containing $267,000. Fast-forward three years, and Ernie’s family has gathered at a ski resort to celebrate Michael’s release from prison. The family dynamics are, to put it lightly, complicated—and that’s before a man shows up dead in the snow and Michael arrives with a coffin in a truck. When the local cop arrests Michael for the murder, things get even more complicated: There are more deaths; Michael tells a story about a coverup involving their father, who was part of a gang called the Sabers; and Ernie still has (most of) the money and isn’t sure whom to trust or what to do with it. Eventually, Ernie puts all the pieces together and gathers the (remaining) family members and various extras for the great denouement. As the plot develops, it becomes clear that there’s a pretty interesting mystery at the heart of this novel, but Stevenson’s postmodern style has Ernie constantly breaking the fourth wall to explain how the structure of his story meets the criteria for a successful detective story. Some readers are drawn to mysteries because they love the formula and logic—this one’s for them. If you like the slow, sometimes-creepy, sometimes-comforting unspooling of a good mystery, it might not be your cup of tea—though the ending, to be fair, is still something of a surprise.
This book and its author are cleverer than you and want you to know it.Pub Date: Jan. 17, 2023
ISBN: 978-0-06-327902-5
Page Count: 384
Publisher: Mariner Books
Review Posted Online: Oct. 25, 2022
Kirkus Reviews Issue: Nov. 15, 2022
BOOK REVIEW
BOOK REVIEW
PERSPECTIVES
It's hard to read but hard to look away from.
When two women who share a birthday meet, a journalist becomes the subject of her own true-crime mystery.
On their 45th birthdays, Josie Fair and Alix Summer meet at a pub and discover they were born not only on the same day, but in the same hospital. Alix is a successful journalist, and Josie convinces Alix that her story is worth telling: Josie met her husband when she was 13 and he was 40. “I can see that maybe I was being used, that maybe I was even being groomed?” she confesses to Alix. “But that feeling of being powerful, right at the start, when I was still in control. I miss that sometimes. I really do. And what I’d like, more than anything, is to get it back.” From this premise Alix creates a Netflix series, Hi! I’m Your Birthday Twin! which investigates Josie’s life as she reconciles what happened to her as a teen and seeks a new path. With the story unfinished, the narrative unfolds in the present tense, with prose that jingles like song lyrics: “He turns to see if the girl is behind him, and sees her wishy-washy, wavy-wavy, in double vision through the glass windows of the hotel.” Alix is both intrigued and repulsed by Josie, but she initially gives her the benefit of the doubt. After all, Alix’s husband, Nathan, has a drinking problem, and Alix knows what it’s like to be reluctant to leave a bad situation. But Josie seems more interested in being part of Alix’s seemingly glamorous life than she is in fixing her own, and when three people end up dead and Alix’s life is turned upside down, the evidence points to Josie—and turns the TV series into a murder mystery. Transcripts from Alix’s interviews alternate with the narrative, offering increasingly varied perspectives on Josie’s story as told by her neighbors, friends, and family members. With so many versions of events, the ending shatters, leaving readers to decide whose is the truth.
It's hard to read but hard to look away from.Pub Date: Aug. 8, 2023
ISBN: 9781982179007
Page Count: 384
Publisher: Atria
Review Posted Online: May 24, 2023
Kirkus Reviews Issue: June 15, 2023
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