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FORGOTTEN

THE UNTOLD STORY OF D-DAY'S BLACK HEROES, AT HOME AND AT WAR

A useful history of an important, fairly unknown part of the American contribution to the Allied victory.

A long-overdue, sympathetic treatment of the barrage balloon operators who fought valiantly on the beaches of France.

In her debut, journalist and photographer Hervieux unearths a valuable piece of the D-Day landing story scarcely included in the official records: the contributions of the 320th Barrage Balloon Battalion, the only African-American combat unit to land at Normandy. (The 320th medics were heralded for their heroics in saving lives.) The balloons, whose cables and bomb cargo kept the enemy flying too high to strafe the vulnerable coasts, were a novelty but a proven deterrent to the German aircraft. They had evolved from the time of Napoleon through the American Civil War and World War I. Since the armed barrage balloons were maneuvered by cables from the ground, they required highly skilled operators. Though not a military specialist, Hervieux became entranced by the stories of these “forgotten” heroes, several of whom she was able to track down in the last few years. She methodically follows the training of the young Southern black recruits such as Henry Parham and Wilson Monk, among others, at Camp Tyson, Tennessee, from late 1942 onward, where discrimination against black soldiers was staggering. Considered by the then-segregated military as “too dumb to fight,” African-Americans soldier knew they were proving themselves mightily in this unusual mission of diverting bombers from important sites in Britain. Shipped out of New York harbor in November 1943 to Britain during the preparation for D-Day, the 320th was delighted to be welcomed by the fairly unbiased Britons, who offered them a taste of freedom for the first time. The battalion landed on the Normandy beaches after the initial waves of casualties, establishing 20 balloons over Omaha and 13 over Utah on June 7 and incurring fierce enemy fire. Eventually, as many as 143 balloons floated 2,000 feet over the beaches, offering crucial protection to the precariously installed Allied troops.

A useful history of an important, fairly unknown part of the American contribution to the Allied victory.

Pub Date: Oct. 27, 2015

ISBN: 978-0-06-231379-9

Page Count: 368

Publisher: Harper/HarperCollins

Review Posted Online: Aug. 16, 2015

Kirkus Reviews Issue: Sept. 1, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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