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LET THE DRUM SPEAK

The elementary but agile further adventures of Shuler's 13th- century Native Americans in territory encompassing sections of what will be New Mexico, Oklahoma and Missouri. Here, Antelope, a Pueblo Indian who, like her mother Kwani (Voice of the Eagle, 1992; She Who Remembers, 1988), becomes the guardian and teacher of the ancient secrets of women, journeys from her home to meet both love and peril. With her mate Chomac, son of the fabled, wily trader Kokopelli, Antelope and her baby daughter Skyfeather take the long trek to the City of the Great Sun. The ruler of that city (who goes by the moniker ``Great Sun'') is hiding a scandalous secret. Fearing the arrival of the son of Kokopelli and the daughter of Kwani (their coming having been foretold), he plots their elimination. Before long, Antelope must also contend with: a jealous shaman who threatens Skyfeather, the Great Sun's glowering sister, and the Great Sun himself, who lusts for Antelope and plans to have Skyfeather, the perfect baby, sacrificed. Meanwhile, Chomac, flighty like his wandering sire, is lured away by Tima-eha, the lusty queen of the City of the North. Before the Great Sun can carry out his schemes, he is deposed. Antelope's new best friend, the healer Far Walker, is chosen to be the next Great Sun. Despairing of the absent, faithless Chomac, Antelope becomes Far Walker's mate, and when he travels on a state journey to Tima-eha, she reigns in his place. Far Walker's return from that dangerous queen is fraught (hardship, a killer earthquake), but thanks to Chomac (in a redeeming act), he survives. Then Antelope must deal with a painful question: Should she return to her old home and follow the ancestors' command to warn her people about the doom to come (the arrival of the Spaniards)? Some hard information here based on major archeological digs, but, overall, cartoon-soft, even if modestly diverting.

Pub Date: June 1, 1996

ISBN: 0-688-12834-3

Page Count: 480

Publisher: Morrow/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 1996

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RULES OF CIVILITY

An elegant, pithy performance by a first-time novelist who couldn’t seem more familiar with his characters or territory.

Manhattan in the late 1930s is the setting for this saga of a bright, attractive and ambitious young woman whose relationships with her insecure roommate and the privileged Adonis they meet in a jazz club are never the same after an auto accident.

Towles' buzzed-about first novel is an affectionate return to the post–Jazz Age years, and the literary style that grew out of it (though seasoned with expletives). Brooklyn girl Katey Kontent and her boardinghouse mate, Midwestern beauty Eve Ross, are expert flirts who become an instant, inseparable threesome with mysterious young banker Tinker Grey. With him, they hit all the hot nightspots and consume much alcohol. After a milk truck mauls his roadster with the women in it, permanently scarring Eve, the guilt-ridden Tinker devotes himself to her, though he and she both know he has stronger feelings for Katey. Strong-willed Katey works her way up the career ladder, from secretarial job on Wall Street to publisher’s assistant at Condé Nast, forging friendships with society types and not allowing social niceties to stand in her way. Eve and Tinker grow apart, and then Kate, belatedly seeing Tinker for what he is, sadly gives up on him. Named after George Washington's book of moral and social codes, this novel documents with breezy intelligence and impeccable reserve the machinations of wealth and power at an historical moment that in some ways seems not so different from the current one. Tinker, echoing Gatsby, is permanently adrift. The novel is a bit light on plot, relying perhaps too much on description. But the characters are beautifully drawn, the dialogue is sharp and Towles avoids the period nostalgia and sentimentality to which a lesser writer might succumb.

An elegant, pithy performance by a first-time novelist who couldn’t seem more familiar with his characters or territory.

Pub Date: July 25, 2011

ISBN: 978-0-670-02269-4

Page Count: 352

Publisher: Viking

Review Posted Online: May 19, 2011

Kirkus Reviews Issue: June 1, 2011

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WHISTLING PAST THE GRAVEYARD

Young Starla is an endearing character whose spirited observations propel this nicely crafted story.

Crandall (Sleep No More, 2010, etc.) delivers big with a coming-of-age story set in Mississippi in 1963 and narrated by a precocious 9-year-old.

Due in part to tradition, intimidation and Jim Crow laws, segregation is very much ingrained into the Southern lifestyle in 1963. Few white children question these rules, least of all Starla Caudelle, a spunky young girl who lives with her stern, unbending grandmother in Cayuga Springs, Miss., and spends an inordinate amount of time on restriction for her impulsive actions and sassy mouth. Starla’s dad works on an oil rig in the Gulf; her mother abandoned the family to seek fame and fortune in Nashville when Starla was 3. In her youthful innocence, Starla’s convinced that her mother’s now a big singing star, and she dreams of living with her again one day, a day that seems to be coming more quickly than Starla’s anticipated. Convinced that her latest infraction is about to land her in reform school, Starla decides she has no recourse but to run away from home and head to Nashville to find her mom. Ill prepared for the long, hot walk and with little concept of time and distance, Starla becomes weak and dehydrated as she trudges along the hot, dusty road. She gladly accepts water and a ride from Eula, a black woman driving an old truck, and finds, to her surprise, that she’s not Eula’s only passenger. Inside a basket is a young white baby, an infant supposedly abandoned outside a church, whom Eula calls James. Although Eula doesn’t intend to drive all the way to Nashville, when she shows up at her home with the two white children, a confrontation with her husband forces her into becoming a part of Starla’s journey, and it’s this journey that creates strong bonds between the two: They help each other face fears as they each become stronger individuals. Starla learns firsthand about the abuse and scare tactics used to intimidate blacks and the skewed assumption of many whites that blacks are inferior beings. Assisted by a black schoolteacher who shows Eula and Starla unconditional acceptance and kindness, both ultimately learn that love and kinship transcend blood ties and skin color.

Young Starla is an endearing character whose spirited observations propel this nicely crafted story.

Pub Date: July 2, 2013

ISBN: 978-1-4767-0772-3

Page Count: 320

Publisher: Gallery Books/Simon & Schuster

Review Posted Online: May 20, 2013

Kirkus Reviews Issue: June 15, 2013

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