by Linda Wagner-Martin ‧ RELEASE DATE: Nov. 9, 2004
Adds very little to this far more than twice-told tale. (11 b&w photos)
Another analysis of the Zelda-and-Scott train wreck, this one heavier on feminist psychology, lighter on quotidian detail.
The prolific Wagner-Martin (Sylvia Plath, 1999, etc.) doesn’t offer much that’s new in her narration of one of the saddest stories of the last century; for that, see Sally Cline’s much more richly detailed Zelda Fitzgerald: Her Life in Paradise (2003). The author acknowledges that much of the Fitzgeralds’ story can’t be known because both principals told self-serving versions of their troubles; correspondence is missing, and even the remaining documents (e.g., Scott’s ledger) offer only dubious, unreliable evidence. So Wagner-Martin’s approach is to include commentary—sometimes piquant, relevant, and enlightening, sometimes not—by an assortment of psychologists and psycho-theorists, from Jung to Jean Baker Miller to Marilyn Yalom to Jane Ussher. (An annoyance: sometimes the quotations are unattributed in the text, forcing the curious reader to search the endnotes for the source.) From these folks we are supposed to learn more about how women are affected by pregnancy, how the death of a parent can hurt, why alcoholics drink, what schizophrenia really means. The technique is generally obtrusive and unsuccessful. Wagner-Martin emphasizes Zelda’s early life as a cosseted child and a southern belle (she was the unconventional teen-queen of Montgomery, Alabama) and declares, a tad unfairly, that previous biographers have not recognized the significance of these years. The author also highlights Zelda’s talents as a dancer—better than either her husband or her critics have acknowledged—an artist, and a writer, at one point waxing effusive about the “sonority” and “tonal pattern” of her prose. And Wagner-Martin provides a good account of the double narrative Scott and Zelda provided her doctors in May 1933, a bizarre and heart-wrenching confrontation that runs 114 pages in the typed version of the stenographer’s record. When an angry Scott calls her a third-rate writer and dancer, Zelda replies, “You have told me that before.”
Adds very little to this far more than twice-told tale. (11 b&w photos)Pub Date: Nov. 9, 2004
ISBN: 1-4039-3403-7
Page Count: 224
Publisher: Palgrave Macmillan
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 2004
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by Tom Clavin ‧ RELEASE DATE: April 21, 2020
Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.
Rootin’-tootin’ history of the dry-gulchers, horn-swogglers, and outright killers who populated the Wild West’s wildest city in the late 19th century.
The stories of Wyatt Earp and company, the shootout at the O.K. Corral, and Geronimo and the Apache Wars are all well known. Clavin, who has written books on Dodge City and Wild Bill Hickok, delivers a solid narrative that usefully links significant events—making allies of white enemies, for instance, in facing down the Apache threat, rustling from Mexico, and other ethnically charged circumstances. The author is a touch revisionist, in the modern fashion, in noting that the Earps and Clantons weren’t as bloodthirsty as popular culture has made them out to be. For example, Wyatt and Bat Masterson “took the ‘peace’ in peace officer literally and knew that the way to tame the notorious town was not to outkill the bad guys but to intimidate them, sometimes with the help of a gun barrel to the skull.” Indeed, while some of the Clantons and some of the Earps died violently, most—Wyatt, Bat, Doc Holliday—died of cancer and other ailments, if only a few of old age. Clavin complicates the story by reminding readers that the Earps weren’t really the law in Tombstone and sometimes fell on the other side of the line and that the ordinary citizens of Tombstone and other famed Western venues valued order and peace and weren’t particularly keen on gunfighters and their mischief. Still, updating the old notion that the Earp myth is the American Iliad, the author is at his best when he delineates those fraught spasms of violence. “It is never a good sign for law-abiding citizens,” he writes at one high point, “to see Johnny Ringo rush into town, both him and his horse all in a lather.” Indeed not, even if Ringo wound up killing himself and law-abiding Tombstone faded into obscurity when the silver played out.
Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.Pub Date: April 21, 2020
ISBN: 978-1-250-21458-4
Page Count: 400
Publisher: St. Martin's
Review Posted Online: Jan. 19, 2020
Kirkus Reviews Issue: Feb. 15, 2020
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by Emmanuel Carrère translated by Linda Coverdale ‧ RELEASE DATE: Sept. 13, 2011
The book begins in Sri Lanka with the tsunami of 2004—a horror the author saw firsthand, and the aftermath of which he...
The latest from French writer/filmmaker Carrère (My Life as a Russian Novel, 2010, etc.) is an awkward but intermittently touching hybrid of novel and autobiography.
The book begins in Sri Lanka with the tsunami of 2004—a horror the author saw firsthand, and the aftermath of which he describes powerfully. Carrère and his partner, Hélène, then return to Paris—and do so with a mutual devotion that's been renewed and deepened by all they've witnessed. Back in France, Hélène's sister Juliette, a magistrate and mother of three small daughters, has suffered a recurrence of the cancer that crippled her in adolescence. After her death, Carrère decides to write an oblique tribute and an investigation into the ravages of grief. He focuses first on Juliette's colleague and intimate friend Étienne, himself an amputee and survivor of childhood cancer, and a man in whose talkativeness and strength Carrère sees parallels to himself ("He liked to talk about himself. It's my way, he said, of talking to and about others, and he remarked astutely that it was my way, too”). Étienne is a perceptive, dignified person and a loyal, loving friend, and Carrère's portrait of him—including an unexpectedly fascinating foray into Étienne and Juliette's chief professional accomplishment, which was to tap the new European courts for help in overturning longtime French precedents that advantaged credit-card companies over small borrowers—is impressive. Less successful is Carrère's account of Juliette's widower, Patrice, an unworldly cartoonist whom he admires for his fortitude but seems to consider something of a simpleton. Now and again, especially in the Étienne sections, Carrère's meditations pay off in fresh, pungent insights, and his account of Juliette's last days and of the aftermath (especially for her daughters) is quietly harrowing.Pub Date: Sept. 13, 2011
ISBN: 978-0-8050-9261-5
Page Count: 256
Publisher: Metropolitan/Henry Holt
Review Posted Online: Aug. 10, 2011
Kirkus Reviews Issue: Sept. 1, 2011
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