A conventional thriller elevated by the author’s masterly juggling of characters and subplots.
The U.S. struggles to fight a pandemic—with viral outbreaks in three major cities—while agencies search for the mastermind behind the biological assault in this sequel.
The call to the FBI about a potential attack unfortunately has merit. A canister in a New York City subway station released an airborne mutated H5N1 virus that spreads quickly. FBI partners (and currently lovers) Georgiana “George” Reed and Mark Strickland are on the case, but their prime suspect, biochemist Dr. Suzy Chen, may already be dead. Someone fired a bullet into her head, likely an assassin for “the Organization,” referenced in a cryptic note Suzy left behind. An attempt to kill her boyfriend, Army intelligence officer Col. Max Graham, however, fails. George and Mark turn to Max for answers regarding Suzy, including the possibility that Dr. Eric Adams, director of the lab where the two were employed, is an accomplice. The Organization’s enigmatic Director, meanwhile, learning that Max is still breathing, sees the colonel as a loose end, because Suzy could have told him anything. Finding the person behind the terrorist strike entails tracing a bank account (also from Suzy’s note) as well as the biochemist’s probable motive. The Director promised to get Suzy’s separated-at-birth twin sister, Lee, a prostitute, out of Hong Kong. While a Manhattan hospital deals with an influx of infected patients, there are also significant outbreaks in Miami and Chicago. The CDC’s working on a vaccine, but it could take months—time the American people don’t have. Wells’ (Dead Love, 2013) latest novel picks up right where her preceding book left off. She adeptly eases her audience into the story, reintroducing characters with minimal exposition or recapping, and even readers just joining the series shouldn’t be lost. The (occasionally) nonlinear narrative is likewise utilized to great effect; George and Mark, for example, get a report of a murder—one that, in a later scene, a drunken Max (upset over Suzy’s fate) awakens to discover. As the pandemic affects so many people, Wells includes an abundance of relevant characters, from doctors and flight attendants to President Jake Howland and his advisers in the Cabinet Room. As in the earlier book, all these players beget various relationships and accompanying obstacles: George is reluctant to be with partner and subordinate Mark; nurse Chris Noel is worried about her sickly lover, Dr. Dave Grant, as is his wife, Vicki. The no-frills narrative complements the short chapters, providing the tale with a brisk pace, especially considering that it began in the midst of the action. But, though George and Mark, along with Max, are unmistakably the protagonists, they don’t have much impact on the main plot. Quantico’s cyber-forensics team uncovers most of the leads, such as another canister, while a surprising character becomes suspicious of the person who, readers already know, is the Director. There’s a definite resolution—a couple of crucial deaths cap off some of the storylines—but plenty of lingering questions remain, enough for the series’ third entry.
A conventional thriller elevated by the author’s masterly juggling of characters and subplots.Pub Date: June 19, 2017
ISBN: 978-1-5377-0488-3
Page Count: 338
Publisher: CreateSpace
Review Posted Online: Aug. 2, 2017
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
Proficient but eminently predictable. Amid all the time shifts and embedded backstories, the most surprising feature is how...
A convicted killer’s list of five people he wants dead runs the gamut from the wife he’s already had murdered to franchise heroine Ali Reynolds.
Back in the day, women came from all over to consult Santa Clarita fertility specialist Dr. Edward Gilchrist. Many of them left his care happily pregnant, never dreaming that the father of the babies they carried was none other than the physician himself, who donated his own sperm rather than that of the handsome, athletic, disease-free men pictured in his scrapbook. When Alexandra Munsey’s son, Evan, is laid low by the kidney disease he’s inherited from his biological father and she returns to Gilchrist in search of the donor’s medical records, the roof begins to fall in on him. By the time it’s done falling, he’s serving a life sentence in Folsom Prison for commissioning the death of his wife, Dawn, the former nurse and sometime egg donor who’d turned on him. With nothing left to lose, Gilchrist tattoos himself with the initials of five people he blames for his fall: Dawn; Leo Manuel Aurelio, the hit man he’d hired to dispose of her; Kaitlyn Todd, the nurse/receptionist who took Dawn’s place; Alex Munsey, whose search for records upset his apple cart; and Ali Reynolds, the TV reporter who’d helped put Alex in touch with the dozen other women who formed the Progeny Project because their children looked just like hers. No matter that Ali’s been out of both California and the news business for years; Gilchrist and his enablers know that revenge can’t possibly be served too cold. Wonder how far down that list they’ll get before Ali, aided once more by Frigg, the methodical but loose-cannon AI first introduced in Duel to the Death (2018), turns on them?
Proficient but eminently predictable. Amid all the time shifts and embedded backstories, the most surprising feature is how little the boundary-challenged AI, who gets into the case more or less inadvertently, differs from your standard human sidekick with issues.Pub Date: April 2, 2019
ISBN: 978-1-5011-5101-9
Page Count: 352
Publisher: Gallery Books/Simon & Schuster
Review Posted Online: Feb. 18, 2019
Kirkus Reviews Issue: March 1, 2019
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