Filled with teachable moments that are perfect for modern-day discussions of race and justice, this is also a story about...
Race, police brutality, and a justice system that won’t hold guilty white men accountable for menacing fellow black citizens—topical current events reveal their gnarled, bitter roots.
In this sequel to Midnight Without a Moon (2017), a story that followed the horrific lynching of Emmett Till, Jackson continues the tale. It’s Stillwater, Mississippi, in November 1955. Roy Bryant and J.W. Milam have been acquitted of Till’s murder despite several witnesses to their crime. The boy’s purported crime was whistling at a white woman. His sentence was death. Rose “Rosa” Lee Carter is a 13-year-old black girl struggling to make sense of her world in the aftermath of such a blatant miscarriage of justice. The story of racial injustice in the Deep South feels all the more wicked told through the eyes of a young girl. Rosa Lee’s coming-of-age during the turbulent era shows her quest for survival—within her family, as a young black woman, as a soul burning for justice. Jackson sensitively shows how Rosa changes from a girl consumed with shame—for her dark skin, for her grandmother Ma Pearl’s cruelty, and for her mother’s abandonment—into a girl learning to take pride in herself and what she brings to the world.
Filled with teachable moments that are perfect for modern-day discussions of race and justice, this is also a story about the complexities of family and choices . (Historical fiction. 10-12)Pub Date: Jan. 2, 2018
ISBN: 978-0-544-80065-6
Page Count: 320
Publisher: HMH Books
Review Posted Online: Oct. 15, 2017
Kirkus Reviews Issue: Nov. 1, 2017
BOOK REVIEW
BOOK REVIEW
A didactic blueprint disguised as a supernatural treasure map.
A girl who delights in the macabre harnesses her inherited supernatural ability.
It’s not just her stark white hair that makes 11-year-old Zee Puckett stand out in nowheresville Knobb’s Ferry. She’s a storyteller, a Mary Shelley fangirl, and is being raised by her 21-year-old high school dropout sister while their father looks for work upstate (cue the wayward glances from the affluent demography). Don’t pity her, because Zee doesn’t acquiesce to snobbery, bullying, or pretty much anything that confronts her. But a dog with bleeding eyes in a cemetery gives her pause—momentarily—because the beast is just the tip of the wicked that has this way come to town. Time to get some help from ghosts. The creepy supernatural current continues throughout, intermingled with very real forays into bullying (Zee won’t stand for it or for the notion that good girls need to act nice), body positivity, socio-economic status and social hierarchy, and mental health. This debut from a promising writer involves a navigation of caste systems, self-esteem, and villainy that exists in an interesting world with intriguing characters, but they receive a flat, two-dimensional treatment that ultimately makes the book feel like one is learning a ho-hum lesson in morality. Zee is presumably White (as is her rich-girl nemesis–cum-comrade, Nellie). Her best friend, Elijah, is cued as Black. Warning: this just might spur frenzied requests for Frankenstein.
A didactic blueprint disguised as a supernatural treasure map. (Supernatural. 10-12)Pub Date: Aug. 10, 2021
ISBN: 978-0-06-304460-9
Page Count: 288
Publisher: Katherine Tegen/HarperCollins
Review Posted Online: June 10, 2021
Kirkus Reviews Issue: July 1, 2021
BOOK REVIEW
A work of heavy, realistic fiction told with oddball humor, honesty, and heart.
When Korean-American Ok Lee loses his father in a construction accident, he and his mom must fend for themselves financially while quietly grieving.
Middle schooler Ok watches as his mother takes on multiple jobs with long hours trying to make ends meet. Determined to help, he sets his sights on his school’s talent show. The winner takes home $100 in cash, enough to pay the utilities before they get cut off. His search to find a bankable talent is complicated by unwanted attention from bully Asa, who’s African-American, and blackmail at the hands of a strange classmate named Mickey, who’s white. To make matters worse, his mother starts dating Deacon Koh, “the lonely widower” of the First Korean Full Gospel Church, who seems to have dubious motives and “tries too hard.” Narrator Ok navigates this full plot with quirky humor that borders on dark at times. His feelings and actions dealing with his grief are authentic. Most of the characters take a surprising turn, in one way or another helping Ok despite initial, somewhat stereotypical introductions and abundant teasing with racial jokes. Although most of the characters go through a transformation, Ok’s father in comparison is not as fleshed-out, and Asa’s African-American Vernacular English occasionally feels repetitive and forced.
A work of heavy, realistic fiction told with oddball humor, honesty, and heart. (Fiction. 10-12)Pub Date: Oct. 9, 2018
ISBN: 978-1-5344-1929-2
Page Count: 288
Publisher: Atheneum
Review Posted Online: June 24, 2018
Kirkus Reviews Issue: July 15, 2018
BOOK REVIEW
BOOK REVIEW
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