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HORSE IN THE PIGPEN

Something funny is afoot on the farm, but mom doesn’t have time to listen in this pleasing pastoral romp. Previously teamed in The Little Old Lady Who Was Not Afraid of Anything (1986), collaborators Williams and Lloyd capture all the frantic activity with a humorous juxtaposition of words and images. “Heeey, Ma,” says the girl. “Horse is in the pigpen, rollin’ in the slop.” The horse dominates the opening spread; in the background, displaced pigs trample the chicken wire that guards the hen house. “Tell it to the pigs, dear. It’s time for me to mop,” is mom’s only response. Vignettes show the girl trying to figure out what to do. Following her mother’s advice, she discovers that the “hens are in the doghouse, gnawin’ on a bone.” The pattern repeats throughout as the girl bears witness to a series of strange occurrences. It’s only when the girl threatens to spend the night in the barn (because “Daisy” the cow is asleep in her bed) that mom responds. “Heeey, NO! Go and fetch the broom now! I’ll straighten up this farm.” In the first of three wordless double-paged spreads, Ma sweeps Daisy out with a flourish. The cow lands in the corner of the next spread, setting off a chain reaction that ends with the horse galloping off the page. Finally, all the animals are in their place as night falls on the farm. The rhythm and repetition of Williams’s text make this an enjoyable read-aloud; cleverly detailed and often outlandish illustrations make it a visual treat. (Picture book. 3-6)

Pub Date: April 1, 2002

ISBN: 0-06-028547-8

Page Count: 32

Publisher: HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 1, 2002

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I'LL LOVE YOU FOREVER

Parent-child love and affection, appealingly presented, with the added attraction of the seasonal content and lack of gender...

A polar-bear parent speaks poetically of love for a child.

A genderless adult and cub travel through the landscapes of an arctic year. Each of the softly rendered double-page paintings has a very different feel and color palette as the pair go through the seasons, walking through wintry ice and snow and green summer meadows, cavorting in the blue ocean, watching whales, and playing beside musk oxen. The rhymes of the four-line stanzas are not forced, as is the case too often in picture books of this type: “When cold, winter winds / blow the leaves far and wide, / You’ll cross the great icebergs / with me by your side.” On a dark, snowy night, the loving parent says: “But for now, cuddle close / while the stars softly shine. // I’ll always be yours, / and you’ll always be mine.” As the last illustration shows the pair curled up for sleep, young listeners will be lulled to sweet dreams by the calm tenor of the pictures and the words. While far from original, this timeless theme is always in demand, and the combination of delightful illustrations and poetry that scans well make this a good choice for early-childhood classrooms, public libraries, and one-on-one home read-alouds.

Parent-child love and affection, appealingly presented, with the added attraction of the seasonal content and lack of gender restrictions. (Picture book. 3-6)

Pub Date: Sept. 1, 2017

ISBN: 978-1-68010-070-9

Page Count: 32

Publisher: Tiger Tales

Review Posted Online: July 1, 2017

Kirkus Reviews Issue: July 15, 2017

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THE PIGEON NEEDS A BATH!

From the Pigeon series

Willems’ formula is still a winner.

The pigeon is back, and he is filthy!

Readers haven’t seen the pigeon for a couple of years, not since The Duckling Gets a Cookie!? (2012), and apparently he hasn’t bathed in all that time. Per the usual routine, the bus driver (clad in shower cap and bathrobe) opens the story by asking readers to help convince the pigeon to take a bath. Though he’s covered in grime, the obstreperous bird predictably resists. He glares at readers and suggests that maybe they need baths. With the turn of the page, Willems anticipates readers’ energetic denials: The pigeon demands, “YEAH! When was the last time YOU had a bath?!” Another beat allows children to supply the answer. “Oh.” A trio of flies that find him repulsive (“P.U.!”) convinces him it’s time. One spread with 29 separate panels depicts the pigeon adjusting the bath (“Too wet!…Too cold.…Too reflective”) before the page turn reveals him jumping in with a spread-filling “SPLASH!” Readers accustomed to the pigeon formula will note that here the story breaks from its normal rhythms; instead of throwing a tantrum, the pigeon discovers what readers already know: “This is FUN!” All the elements are in place, including page backgrounds that modulate from dirty browns to fresh, clean colors and endpapers that bookend the story (including a very funny turnabout for the duckling, here a rubber bath toy).

Willems’ formula is still a winner. (Picture book. 3-6)

Pub Date: April 1, 2014

ISBN: 978-1-4231-9087-5

Page Count: 40

Publisher: Hyperion

Review Posted Online: March 16, 2014

Kirkus Reviews Issue: April 1, 2014

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