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CHINA READIES FOR ITS CLOSE-UP

Vacation travelogue that, despite its pretension to social commentary, will make readers want to pack their bags.

Quaint traveler’s tale attempting to masquerade as hard-hitting reportage on modern China.

Weiss reunites with his old Army buddy, Hal, to travel to the Far East, finally submitting to decades of haranguing from Hal’s father, the Confucius-styled sage Pop Kam. Weiss chronicles his journey in a diary replete with scenes of the seeming absurdities of this foreign land. In its early stages, the text mostly resembles a blow-by-blow account of the author’s culture shock. But further along, his confusion about things like unrestrained public urination or vendors converting tomatoes into dumplings adds human detail to the narrative without rankling of condescension. Weiss never forgets that he is the outsider, and his humor is always self-deprecating. His account often risks becoming a tiresome itinerary of wondrous sites, reminiscent of a clueless uncle’s overlong slideshow of vacation photos. But enough history is interspersed between the charming yet repetitive descriptions to remind readers of the awe-inspiring marvel of such wonders as the Great Wall or the terra cotta warriors of Xi’an. Weiss writes with a literary flourish that at times makes his adventures sing, but it can just as easily sink to depths of overwhelming melodrama. He provides useful tips for those who might wish to follow in his footsteps: his experience with altitude sickness in Tibet, which showcases Weiss’s humility before nature, alerts others to the need to acclimate before ascending the Himalayas. His two-month trip in spring 2007 took place as China dove headfirst into preparations for the 2008 Summer Olympics, on which Weiss hooks an analysis of the nation’s struggle to modernize. The connection feels awkward and artificial, and the facts he incorporates about Tibet’s cultural suppression, pollution and the one-child policy can be easily gleaned from the Internet.

Vacation travelogue that, despite its pretension to social commentary, will make readers want to pack their bags.

Pub Date: N/A

ISBN: 978-1-4363-1523-4

Page Count: -

Publisher: N/A

Review Posted Online: May 23, 2010

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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