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LITTLE GIRL LEAVING

A NOVEL BASED ON A TRUE STORY

A disturbing and illuminating tale about sexual abuse.

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A debut novel offers the first-person point of view of a young girl abused and assaulted by her family.

To outsiders, Deidi might seem like a normal, quiet little girl. Her family places presents around the tree at Christmas and shares loving moments. But what Deidi has been through by the time she’s 7 years old is a litany of horrors. As this book starts, her family is about to move from a rural community to a bigger city in Washington state. She is packing up her belongings and remembering the last four years of her life, starting from 1968. Her first memory is her third birthday party, surrounded by her mom and dad; her brother, Matty; her grandparents; and her great-grandparents. It’s a joyful recollection, but there are linguistic clues that things will change. Deidi describes her father, revealing, “Mommy says he’s handsome if she’s happy.” Readers learn that Matty has violent tendencies when he kills a kitten for fun. Then they see Deidi’s father enter her room late at night. When he strips her, she thinks she’s going to be spanked. Instead, her father molests her, the first of many instances detailed in the story. Deidi’s mother covers for him, even making the girl feel responsible for his actions at times. She tells Deidi she can never tell anyone about the things her father and brother do or they’ll be taken away. Deidi doesn’t understand her predicament—she’s knows she’s been bad because of how the adults react, but she can’t figure out what she’s done wrong. The abuse is a family epidemic. Deidi’s grandfather and uncle molest her, and her father lets his friends sexually abuse her and Matty. By age 7, she has a hard time distinguishing between reality and the place she goes when life gets too painful. This novel, “based on a true story,” is a harrowing read, and it should be. Blume captures Deidi’s innocence beautifully: how she tries to be good; the inviting fantasies she wishes were reality. The terrible things she endures stand out that much more for it. The author, who works as a producer of public service media and research projects, says she hopes the book “will help adults to experience life as a very young child who needs them does.” This enlightening work skillfully does that and more.

A disturbing and illuminating tale about sexual abuse.

Pub Date: N/A

ISBN: 978-0-692-10406-4

Page Count: 340

Publisher: Illumine LLC

Review Posted Online: Nov. 19, 2018

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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