by Lisa Brennan-Jobs ‧ RELEASE DATE: Sept. 4, 2018
Brennan-Jobs benefits from her father’s story, but her prose doesn’t require his spotlight to shine.
An epic, sharp coming-of-age story from the daughter of Steve Jobs.
It’s rare to find a memoir from a celebrity’s child in which the writing is equal to—or exceeds—the parent’s reputation, but that is the case with Brennan-Jobs’ debut. The author engagingly packs in every detail of her life, including her seemingly innocuous conception by Jobs and artist Chrisann Brennan, her father’s paternity denial, their rocky reconciliation, and Jobs’ ultimate rejection and silence. In a lesser writer’s hands, the narrative could have devolved into literary revenge. Instead, Brennan-Jobs offers a stunningly beautiful study of parenting that just so happens to include the co-founder of Apple. With a background in journalism, she skillfully and poignantly navigates her formative years, revealing the emotional wounds that parents can often visit upon their children. From Jobs’ refusal to pay for her college to his ongoing refutation that his first personal computer, the Apple Lisa, was named for her, she describes a master of mental and emotional manipulation: “ ‘Well, then, who was it named after?’ ‘An old girlfriend,’ he said, looking off into the distance, as if remembering. Wistful. It was this dreamy quality that made me believe he was telling the truth, because otherwise it was quite an act….I had a strange feeling in my stomach…[and was] starting to believe I was calibrated wrong.” Not until Jobs was on his deathbed did he finally admit to his daughter that the Apple Lisa was named after her. But why lie? Why purposely hurt your child and then, a moment later, display enormous affection? Those are some of the questions the author wrestles with as she examines her youth. Of course, the book also includes enough celebrity gossip to please tabloid lovers, but this is not a tell-all; it’s an exquisitely rendered story of family, love, and identity.
Brennan-Jobs benefits from her father’s story, but her prose doesn’t require his spotlight to shine.Pub Date: Sept. 4, 2018
ISBN: 978-0-8021-2823-2
Page Count: 400
Publisher: Grove
Review Posted Online: May 27, 2018
Kirkus Reviews Issue: June 15, 2018
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PERSPECTIVES
by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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BOOK REVIEW
by Elie Wiesel ; edited by Alan Rosen
BOOK REVIEW
by Elie Wiesel ; illustrated by Mark Podwal
BOOK REVIEW
by Elie Wiesel ; translated by Marion Wiesel
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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Pulitzer Prize Finalist
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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