Well-researched, crisply perceptive writing on art.
A debut memoir recounts how a self-confessed introvert tried to make it as a painter but was left confounded by the art world’s expectations and restrictions.
Downey’s erudite and thought-provoking book opens with a brief recollection of an art class that emphasized the importance of communication over technique. Having strong convictions about how art should be taught, she quit the class. Before becoming a mother, the author worked in publishing in Boston. Parenthood left her little “brain space” to create, but after her children were in school, she decided to become an artist. A keen writer, she set up a blog about her journey and her first steps in the painting world. Downey found the social aspects of her work exhausting, with her introversion leaving her feeling like an outsider. The author looked at the role of contemporary artists, examining the cult of celebrity and self-promotion and the necessity of being fluent in “artspeak” and forging connections in an “ultra-social, extrovert” society. Downey’s odyssey became one of self-understanding, as she dissected her creative drives and the personal roots of her consternation regarding societal expectations. The author describes her own creative process with forthright clarity: “I plan, then I execute my plan. It may sound uninspired, but I argue that it is just as valid a way to paint as any other.” In doing so, she makes readers reconsider why artists are expected to be spontaneous and extroverted. Downey employs a sound knowledge of art history to illustrate her arguments. For example, she discusses the anonymity of painters and sculptors in ancient Egyptian and Greek civilizations in contrast to the “personal fame” of artists from the Renaissance onward. The author also offers illuminating moments of introspection: “Each of these issues around art, which all came down to matters of identity and social status, brought up how I felt about myself in the world.” Some readers may be disappointed that Downey did not proceed to become a professional painter, but her memoir remains inspirational as a thorough exploration of the creative self and a search for personal satisfaction. This work will prove an invaluable handbook for readers trying to gain a foothold in the art world and for those feeling ostracized by it.
Well-researched, crisply perceptive writing on art.Pub Date: Aug. 16, 2021
ISBN: 978-0-9716775-2-4
Page Count: 338
Publisher: Green Tea Press
Review Posted Online: Jan. 30, 2022
Kirkus Reviews Issue: March 15, 2022
Review Program: Kirkus Indie
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
A juicy story with some truly crazy moments, yet Anderson's good heart shines through.
The iconic model tells the story of her eventful life.
According to the acknowledgments, this memoir started as "a fifty-page poem and then grew into hundreds of pages of…more poetry." Readers will be glad that Anderson eventually turned to writing prose, since the well-told anecdotes and memorable character sketches are what make it a page-turner. The poetry (more accurately described as italicized notes-to-self with line breaks) remains strewn liberally through the pages, often summarizing the takeaway or the emotional impact of the events described: "I was / and still am / an exceptionally / easy target. / And, / I'm proud of that." This way of expressing herself is part of who she is, formed partly by her passion for Anaïs Nin and other writers; she is a serious maven of literature and the arts. The narrative gets off to a good start with Anderson’s nostalgic memories of her childhood in coastal Vancouver, raised by very young, very wild, and not very competent parents. Here and throughout the book, the author displays a remarkable lack of anger. She has faced abuse and mistreatment of many kinds over the decades, but she touches on the most appalling passages lightly—though not so lightly you don't feel the torment of the media attention on the events leading up to her divorce from Tommy Lee. Her trip to the pages of Playboy, which involved an escape from a violent fiance and sneaking across the border, is one of many jaw-dropping stories. In one interesting passage, Julian Assange's mother counsels Anderson to desexualize her image in order to be taken more seriously as an activist. She decided that “it was too late to turn back now”—that sexy is an inalienable part of who she is. Throughout her account of this kooky, messed-up, enviable, and often thrilling life, her humility (her sons "are true miracles, considering the gene pool") never fails her.
A juicy story with some truly crazy moments, yet Anderson's good heart shines through.Pub Date: Jan. 31, 2023
ISBN: 9780063226562
Page Count: 256
Publisher: Dey Street/HarperCollins
Review Posted Online: Dec. 5, 2022
Kirkus Reviews Issue: Jan. 1, 2023
SEEN & HEARD
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