THE CASSATT SISTERS

Groen’s historical novel imagines a love affair between Mary Cassatt and Edgar Degas.

In 1877, Mary “May” Cassatt is already making a name for herself in the French art scene, having had some paintings exhibited at the Salon, the establishment arbiter of the art world at the time. She is excited by the work of Edgar Degas, who has rebelled against the Salon and is a founder of the Impressionist movement. They finally meet, and she is enthralled. They become colleagues, then personal friends, and then, seemingly inevitably, lovers. Another strand in the story deals with Mary’s relationships with her family members. The Cassatts, from Philadelphia, are well-off, and her parents and older sister Lydia move to Paris to support Mary (and because they remember France so fondly). Mary is very close to Lydia, her faithful confidant, who lost her fiancé in the Civil War. Many famous real-life artists get cameo roles or mentions, showing Mary’s milieu, and Camille Pissarro gets more than that; as a happy husband and father, he contrasts with the tortured loner Degas, who can be incredibly hurtful. Camille becomes Mary’s other confidant; in fact, he warns her about Degas and is there for her when it all goes wrong. There is no hard historical evidence for this romance, and, of course, neither Mary nor Edgar ever married (this is not alternative history), but Groen is by no means the first to speculate. And Lydia at least did have a love tragically stolen from her. (At one point an exasperated Lydia says, “I wasn’t born with your talent…But I loved a man. I know what it’s like to wake up every morning longing for someone.”) What drives the book is the contrasting dynamics: love versus art, excitement versus serenity, the establishment versus the avant-garde. Love is strong, but is the pull of art stronger? That is the question. The text includes reproductions of artworks—mostly Cassatt’s—throughout.

A well-crafted portrait of two famous artists, their suffering, and their joys.