The near-omniscient narration perfectly suits this story, which often reads like a rueful but wry case study of nurture as...
A “practice baby” grows up to be the most indifferent guy, in this multilayered new novel from Grunwald (Whatever Makes You Happy, 2005, etc.).
As the baby boom begins in 1946, fictional Wilton College in Pennsylvania works hard to prepare young women for that all important MRS. degree. It even provides a home economics “practice house,” where coeds can hone their mother craft by caring for an infant on loan from the local orphanage. Each foundling is surnamed House by decree of Wilton’s middle-aged, widowed and childless doyenne of domestic science, Martha Gaines. Three-month-old Henry, the current rental baby, is diapered, bathed and bottle-fed by alternating shifts of college students under Martha’s hypercritical supervision. Though she’s firmly wedded to the parenting wisdom of that era (e.g., babies must be trained, not indulged), Martha finds long-dormant maternal yearnings awakened by winsome Henry. Through guile and well-placed blackmail she adopts him, and he remains at Wilton under the care of successive practice mothers. Manipulating multiple moms teaches Henry to view women as interchangeable pushovers. Female demands—especially Martha’s—repel him. A talented artist, Henry finds a haven with his beatnik art teachers in boarding school, until the birth of their child displaces him. His birth mother Betty, now a Manhattan career girl, offers temporary asylum from Martha, then unceremoniously abandons him. He finds work in Hollywood as a Disney animator, painting penguins for Mary Poppins (another story about a mother substitute). Then he moves on to London at the height of the Swinging Sixties to help animate the Beatles’ Yellow Submarine. Henry is both irresistible and impervious to women other than his childhood friend Mary Jane, adept at the approach-avoidance game that is his Achilles’ heel. Then, one day Henry meets his narcissistic match in another former practice baby.
The near-omniscient narration perfectly suits this story, which often reads like a rueful but wry case study of nurture as nightmare.Pub Date: March 23, 2010
ISBN: 978-1-4000-6300-0
Page Count: 432
Publisher: Random House
Review Posted Online: Jan. 18, 2011
Kirkus Reviews Issue: Jan. 1, 2010
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.
Pub Date: April 5, 1996
ISBN: 0-679-41224-7
Page Count: 304
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1996
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