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VINCE AND JOY

With wit and well-rendered characters, the author fills her story with keen observations about real life and the possibility...

British author Jewell’s fifth novel (after A Friend of the Family, 2003, etc.) is a deliciously addictive read filled with London oddballs, horrid husbands and romantic destiny.

Thirty-five year old Vince is sitting in a kitchen with friends, fresh from the demise of his marriage to wild-child Jess, when the conversation veers to the first time each had sex. Amid tales of awkward fumbling and comic disappointment comes Vince’s recollection of Joy. They met as misfit teenagers at a third-rate beach resort—their parents’ rented trailers stood side by side—and the two, Joy beautifully fragile despite the army surplus shorts, Vince ruggedly handsome, experienced something close to love at first sight. After much hand-holding and a youthful baring of souls, Vince and Joy have a perfect night of sex in a field, and then through a series of miscommunications, the two are separated for another 17 years. What ensues is mundane life—dreary, disappointing, occasionally brilliant, most often just ordinary, as Vince and Joy attempt to navigate relationships all wrong for them. With a dead-end job and nursing a slightly bruised heart, Joy responds to a personal ad for a man described as handsome. He is not. But accountant George is rather sweet and interesting and enjoys the nightly spliff. And though Joy is not attracted to him in the least, the two begin a pallid romance that leads to a miserable marriage. Meanwhile, Vince has paired up with Jess, a free spirit who’s just a bit too free for Vince’s taste, what with the partying, the ex-boyfriends hanging about and the drug use, with an infant at home. Through the years, Vince and Joy’s paths have crisscrossed, but always at the worst possible time, delaying the inevitable, fated true love. Can Jewell sustain 500 pages of suspense until our lovers reconnect? Can a reader survive this much romantic pudding? Oh, yeah.

With wit and well-rendered characters, the author fills her story with keen observations about real life and the possibility of real love.

Pub Date: Oct. 1, 2006

ISBN: 0-06-113746-4

Page Count: 512

Publisher: Harper/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 1, 2006

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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LAST ORDERS

Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.

Pub Date: April 5, 1996

ISBN: 0-679-41224-7

Page Count: 304

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1996

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