Light entertainment for kids who like drama.
Ava, “the FAMOUS Monster Slayer,” uses all her resources to rescue her stuffed toy from the dark woods at camp.
This is not Ava’s first heroic adventure. In her eponymous 2015 debut, she was called upon to rescue Piggy from the basement. Now, Ava and her cousin Sophia are at overnight camp for the first time. Ava is “a little scared.” Sophia is “really scared.” The first night, they all go for an evening hike and eat dinner watching the sunset. But when they return to their cabin, Piggy and Sophia’s beloved Teddy are “GONE!” The counselors say it is bedtime. The boys are no help either. So Ava the FAMOUS Monster Slayer convinces Sophia to sneak out and save their friends. They make weapons out of common objects and prepare themselves for battle. They conquer a serpent, a flying creature, and the terrifying creature (which looks suspiciously like a tree) that has their friends in its clutches. Finally, thanks to “cousin power,” their mission is complete. The comic-book–style layout features the humorous first-person narration of a child who takes her tasks seriously. The crosshatched drawings let personalities shine but call a bit too much attention to the line marks, resulting in a slightly unpolished look. The combination of tenderness for stuffed companions and the fierce bravery required to rescue them is fun and refreshing. Both girls have light skin; Ava has straight, dark hair and glasses while Sophia wears her dark, puffy hair with a bow.
Light entertainment for kids who like drama. (Graphic fiction. 6-8)Pub Date: Sept. 17, 2019
ISBN: 978-1-5107-4810-1
Page Count: 32
Publisher: Sky Pony Press
Review Posted Online: July 23, 2019
Kirkus Reviews Issue: Aug. 15, 2019
BOOK REVIEW
A lesson that never grows old, enacted with verve by two favorite friends
Gerald the elephant learns a truth familiar to every preschooler—heck, every human: “Waiting is not easy!”
When Piggie cartwheels up to Gerald announcing that she has a surprise for him, Gerald is less than pleased to learn that the “surprise is a surprise.” Gerald pumps Piggie for information (it’s big, it’s pretty, and they can share it), but Piggie holds fast on this basic principle: Gerald will have to wait. Gerald lets out an almighty “GROAN!” Variations on this basic exchange occur throughout the day; Gerald pleads, Piggie insists they must wait; Gerald groans. As the day turns to twilight (signaled by the backgrounds that darken from mauve to gray to charcoal), Gerald gets grumpy. “WE HAVE WASTED THE WHOLE DAY!…And for WHAT!?” Piggie then gestures up to the Milky Way, which an awed Gerald acknowledges “was worth the wait.” Willems relies even more than usual on the slightest of changes in posture, layout and typography, as two waiting figures can’t help but be pretty static. At one point, Piggie assumes the lotus position, infuriating Gerald. Most amusingly, Gerald’s elephantine groans assume weighty physicality in spread-filling speech bubbles that knock Piggie to the ground. And the spectacular, photo-collaged images of the Milky Way that dwarf the two friends makes it clear that it was indeed worth the wait.
A lesson that never grows old, enacted with verve by two favorite friends . (Early reader. 6-8)Pub Date: Nov. 4, 2014
ISBN: 978-1-4231-9957-1
Page Count: 64
Publisher: Hyperion
Review Posted Online: Nov. 4, 2014
Kirkus Reviews Issue: Nov. 15, 2014
A close encounter of the best kind.
Left behind when the space bus departs, a child discovers that the moon isn’t as lifeless as it looks.
While the rest of the space-suited class follows the teacher like ducklings, one laggard carrying crayons and a sketchbook sits down to draw our home planet floating overhead, falls asleep, and wakes to see the bus zooming off. The bright yellow bus, the gaggle of playful field-trippers, and even the dull gray boulders strewn over the equally dull gray lunar surface have a rounded solidity suggestive of Plasticine models in Hare’s wordless but cinematic scenes…as do the rubbery, one-eyed, dull gray creatures (think: those stress-busting dolls with ears that pop out when squeezed) that emerge from the regolith. The mutual shock lasts but a moment before the lunarians eagerly grab the proffered crayons to brighten the bland gray setting with silly designs. The creatures dive into the dust when the bus swoops back down but pop up to exchange goodbye waves with the errant child, who turns out to be an olive-skinned kid with a mop of brown hair last seen drawing one of their new friends with the one crayon—gray, of course—left in the box. Body language is expressive enough in this debut outing to make a verbal narrative superfluous.
A close encounter of the best kind. (Picture book. 6-8)Pub Date: May 14, 2019
ISBN: 978-0-8234-4253-9
Page Count: 40
Publisher: Margaret Ferguson/Holiday House
Review Posted Online: Feb. 5, 2019
Kirkus Reviews Issue: March 1, 2019
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