Enlightening, visually gorgeous, and emotionally moving.
From the first humans in North America to the immigrants and refugees of today, the story of America’s diversity is the story of migration.
Poetic text and stunning watercolors outline the history of how peoples from all over the globe arrived in what is now the United States of America. Peters likens migrants to seeds that are carried on the wind, taking root in the new soil, creating a “garden of Americans who turn to face the wind.” The book begins with spreads featuring different groups of arrivals, chosen for their numbers, contributions, or impact. Native Americans, English settlers, enslaved Africans, Chinese railroad workers, and migrant field workers are among those featured, and each is accompanied by a few sentences that do not explicitly mention country names but cut to the core of their significance with pointed honesty. “The brutal leader” of a group of “colonists” depicted as conquistadors, for instance, is recorded as having “slaughtered the tribe that was living” where they settled. After the Statue of Liberty’s famous welcoming poem appears in its entirety, more modern immigration is represented. These pages feature individuals here and now: a mother who works long cleaning shifts, a 13-year-old refugee who wears a head scarf, a boy who loves soccer. And finally, a city block exuberantly depicting residents of many skin tones under a celebratory sky of fireworks. The beautiful text celebrates America’s difficult immigrant history with honesty and respect while simultaneously maintaining a feeling of pride and optimism in its present and future. Extremely informative notes round out this outstanding book. (This book was reviewed digitally with 10.5-by-21-inch double-page spreads viewed at 53.1% of actual size.)
Enlightening, visually gorgeous, and emotionally moving. (glossary, note, sources) (Informational picture book. 6-10)Pub Date: April 6, 2021
ISBN: 978-0-593-12313-3
Page Count: 40
Publisher: Schwartz & Wade/Random
Review Posted Online: March 1, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
With powerful art from a bold new talent, this is a probing and sensitive take on a devastating chapter of U.S. history.
“How do you tell a story / that starts in Africa / and ends in horror?”
Alexander uses multiple voices to weave this poem about a teacher who takes on the difficult but necessary task of starting a classroom conversation about slavery. Between the theft of people from the African continent and the sale of people in America, from the ships that brought them and the ocean that swallowed some of them to their uncompensated work and the breakup of families, Alexander introduces objections from the implied listeners (“But you can’t sell people,” “That’s not fair”), despair from the narrating adult, encouragement from the youth, and ultimately an answer to the repeated question about how to tell this story. Rising star Coulter’s mixed-media art elevates the lyrical text with clarity and deep emotion: Using sculpted forms and paintings for the historical figures gives them a unique texture and lifelike fullness, while the charcoal drawings on yellow paper used for the present-day student-teacher interactions invite readers to step inside. Where Coulter combines the two, connecting past with present, the effect is stunning. Both young readers and adults unsure of how to talk about this painful past with children will find valuable insights.
With powerful art from a bold new talent, this is a probing and sensitive take on a devastating chapter of U.S. history. (author’s and illustrator’s notes) (Informational picture book. 6-10)Pub Date: Jan. 3, 2023
ISBN: 978-0-316-47312-5
Page Count: 56
Publisher: Little, Brown
Review Posted Online: Nov. 15, 2022
Kirkus Reviews Issue: Dec. 1, 2022
PERSPECTIVES
PERSPECTIVES
Go adventuring with a better guide.
Find something to do in every state in the U.S.A.!
This guide highlights a location of interest within each of the states, therefore excluding Washington, D.C., and the territories. Trivia about each location is scattered across crisply rendered landscapes that background each state’s double-page spread while diminutive, diverse characters populate the scenes. Befitting the title, one “adventure” is presented per state, such as shrimping in Louisiana’s bayous, snowshoeing in Connecticut, or celebrating the Fourth of July in Boston. While some are stereotypical gimmes (surfing in California), others have the virtue of novelty, at least for this audience, such as viewing the sandhill crane migration in Nebraska. Within this thematic unity, some details go astray, and readers may find themselves searching in vain for animals mentioned. The trivia is plentiful but may be misleading, vague, or incorrect. Information about the Native American peoples of the area is often included, but its brevity—especially regarding sacred locations—means readers are floundering without sufficient context. The same is true for many of the facts that relate directly to expansion and colonialism, such as the unexplained near extinction of bison. Describing the genealogical oral history of South Carolina’s Gullah community as “spin[ning] tales” is equally brusque and offensive. The book tries to do a lot, but it is more style than substance, which may leave readers bored, confused, slightly annoyed—or all three. (This book was reviewed digitally with 12.2-by-20.2-inch double-page spreads viewed at 80% of actual size.)
Go adventuring with a better guide. (tips on local adventuring, index) (Nonfiction. 8-10)Pub Date: Oct. 6, 2020
ISBN: 978-0-7112-5445-9
Page Count: 112
Publisher: Wide Eyed Editions
Review Posted Online: July 27, 2020
Kirkus Reviews Issue: Aug. 15, 2020
BOOK REVIEW
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