It’s difficult to explain why Runt, the aptly named young gobbler in Wheeler’s tale, cares for the well-being of his hale and hearty older brother, Turk, as in turkey, real and metaphorical. Runt’s parents lavish all their attention on Turk, all their praise, hopes, and counsel. “He’s a dancer,” said his mother. “He’s an athlete,” said his father. “He’s a goner,” said Runt, for only Runt seems to understand that handsome, plump birds get the chop at holiday time. Runt is full of such Woody Allen quips, and like Woody, Runt is also the unlikely hero, saving Turk from being purchased, roasted, and gently basted, by acting like a lunatic and scaring off potential buyers. Then, when a pinched and parsimonious shrew sets her sights on Runt, it’s Turk’s turn to do the right thing, and he pulls through. Wheeler’s (Sailor Moo, Cow at Sea, p. 890, etc.) comic timing is well tuned here—even if her repetitive authorial aside, “But no one ever listened to Runt,” quickly begins to grate. But most inspired are the luxurious watercolors from Ansley (Wool Gathering, 2001), with their midnight blues, regal purples, and turkey-skinned pinks depicting Turk in his football gear and assorted buyers in their most comic animation. (Picture book. 4-7)
Pub Date: Oct. 1, 2002
ISBN: 0-689-84761-0
Page Count: 32
Publisher: Richard Jackson/Atheneum
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 2002
Give this child’s-eye view of a day at the beach with an attentive father high marks for coziness: “When your ball blows across the sand and into the ocean and starts to drift away, your daddy could say, Didn’t I tell you not to play too close to the waves? But he doesn’t. He wades out into the cold water. And he brings your ball back to the beach and plays roll and catch with you.” Alley depicts a moppet and her relaxed-looking dad (to all appearances a single parent) in informally drawn beach and domestic settings: playing together, snuggling up on the sofa and finally hugging each other goodnight. The third-person voice is a bit distancing, but it makes the togetherness less treacly, and Dad’s mix of love and competence is less insulting, to parents and children both, than Douglas Wood’s What Dads Can’t Do (2000), illus by Doug Cushman. (Picture book. 5-7)
Pub Date: May 23, 2005
ISBN: 0-618-00361-4
Page Count: 32
Publisher: Clarion Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 2005
A valuable asset to the library of a child who experiences anxiety and a great book to get children talking about their...
Ruby is an adventurous and happy child until the day she discovers a Worry.
Ruby barely sees the Worry—depicted as a blob of yellow with a frowny unibrow—at first, but as it hovers, the more she notices it and the larger it grows. The longer Ruby is affected by this Worry, the fewer colors appear on the page. Though she tries not to pay attention to the Worry, which no one else can see, ignoring it prevents her from enjoying the things that she once loved. Her constant anxiety about the Worry causes the bright yellow blob to crowd Ruby’s everyday life, which by this point is nearly all washes of gray and white. But at the playground, Ruby sees a boy sitting on a bench with a growing sky-blue Worry of his own. When she invites the boy to talk, his Worry begins to shrink—and when Ruby talks about her own Worry, it also grows smaller. By the book’s conclusion, Ruby learns to control her Worry by talking about what worries her, a priceless lesson for any child—or adult—conveyed in a beautifully child-friendly manner. Ruby presents black, with hair in cornrows and two big afro-puff pigtails, while the boy has pale skin and spiky black hair.
A valuable asset to the library of a child who experiences anxiety and a great book to get children talking about their feelings (. (Picture book. 4-6)Pub Date: Sept. 3, 2019
ISBN: 978-1-5476-0237-7
Page Count: 32
Publisher: Bloomsbury
Review Posted Online: May 7, 2019
Kirkus Reviews Issue: June 1, 2019
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