by Lisa Williams Kline ‧ RELEASE DATE: Nov. 1, 2012
The blandly commercial setting muffles the author’s usually acute observations, but when Iggy the iguana enters the picture,...
A multigenerational Caribbean cruise provides the setting for the latest entry in this series about two stepsisters who bond through the endangered wildlife they encounter.
Diana, 15, struggling with a mood disorder, feels press-ganged into joining the family cruise in honor of her stepdad’s mother, especially when she learns she and new stepsister Stephanie, 14, must share their stateroom with Stephanie’s bossy cousin Lauren. Also 14, Lauren records whatever’s in her vicinity on her video camera. Diana’s refusal to hang out in the teen nightclub with them and the boys they meet threatens to destroy the festive mood, while timid Stephanie wants everyone to feel included but is unsure how to fix things. Luckily, finding an endangered baby blue iguana gives Diana a focus. Embodying the gentle religious subtext (an inclusive one, stressing behavior over belief), Stephanie’s aware she’s been blessed by an easygoing temperament, likability and good looks, and she feels these gifts confer responsibilities. One major element throws the narrative off balance: the sisters’ vocabulary, naïveté and social interactions feel like those of children three or more years younger. Only Lauren, an adolescent questioning parental authority, seems developmentally on track.
The blandly commercial setting muffles the author’s usually acute observations, but when Iggy the iguana enters the picture, pacing and energy pick up. (Fiction. 9-12)Pub Date: Nov. 1, 2012
ISBN: 978-0-310-72617-3
Page Count: 224
Publisher: Zonderkidz
Review Posted Online: Sept. 25, 2012
Kirkus Reviews Issue: Oct. 15, 2012
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by Dav Pilkey ; illustrated by Dav Pilkey ‧ RELEASE DATE: Jan. 15, 2013
Series fans, at least, will take this outing (and clear evidence of more to come) in stride.
Zipping back and forth in time atop outsized robo–bell bottoms, mad inventor Tippy Tinkletrousers (aka Professor Poopypants) legs his way to center stage in this slightly less-labored continuation of episode 9.
The action commences after a rambling recap and a warning not to laugh or smile on pain of being forced to read Sarah Plain and Tall. Pilkey first sends his peevish protagonist back a short while to save the Earth (destroyed in the previous episode), then on to various prehistoric eras in pursuit of George, Harold and the Captain. It’s all pretty much an excuse for many butt jokes, dashes of off-color humor (“Tippy pressed the button on his Freezy-Beam 4000, causing it to rise from the depths of his Robo-Pants”), a lengthy wordless comic and two tussles in “Flip-o-rama.” Still, the chase kicks off an ice age, the extinction of the dinosaurs and the Big Bang (here the Big “Ka-Bloosh!”). It ends with a harrowing glimpse of what George and Harold would become if they decided to go straight. The author also chucks in a poopy-doo-doo song with musical notation (credited to Albert P. Einstein) and plenty of ink-and-wash cartoon illustrations to crank up the ongoing frenzy.
Series fans, at least, will take this outing (and clear evidence of more to come) in stride. (Fantasy. 10-12)Pub Date: Jan. 15, 2013
ISBN: 978-0-545-17536-4
Page Count: 224
Publisher: Scholastic
Review Posted Online: Dec. 12, 2012
Kirkus Reviews Issue: Jan. 1, 2013
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by Dav Pilkey ; illustrated by Dav Pilkey color by Jose Garibaldi & Wes Dzioba
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by Pablo Cartaya ‧ RELEASE DATE: Aug. 6, 2019
A pitch-perfect middle-grade novel that insightfully explores timely topics with authenticity and warmth.
A nuanced novel about a neurodiverse preteen’s political and social awakening by a Pura Belpré Honor–winning author.
Sixth grader Emilia Rosa Torres sometimes has a hard time keeping up with schoolwork and concentrating on one thing at a time, but her software-developer mother and superinvolved abuelita help her keep on task. Days before her father’s return to their Atlanta suburb from his most recent deployment, her mother goes on a business trip, leaving the middle schooler to juggle his mood swings, her friend troubles, and her looming assignments all on her own. When a social studies project opens her eyes to injustices past and present, Emilia begins to find her voice and use it to make an impact on her community. Writing with sensitivity and respectful complexity, Cartaya tackles weighty issues, such as immigration, PTSD, and microaggressions, through the lens of a budding tinkerer and activist who has ADHD. The members of this Cuban American family don’t all practice the same religion, with Emilia’s Catholic grandmother faithfully attending Mass multiple times a week and the protagonist’s mother celebrating her culture’s Yoruba roots with Santería. Conversations on race and gender crop up through the narrative as Emilia’s grandmother likes to emphasize her family’s European heritage—Emilia can pass as white, with her fair complexion, light eyes and auburn hair. All of these larger issues are effortlessly woven in with skill and humor, as is the Spanish her family easily mixes with English.
A pitch-perfect middle-grade novel that insightfully explores timely topics with authenticity and warmth. (author’s note) (Fiction. 9-12)Pub Date: Aug. 6, 2019
ISBN: 978-0-451-47972-3
Page Count: 336
Publisher: Kokila
Review Posted Online: April 27, 2019
Kirkus Reviews Issue: May 15, 2019
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