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THE PARTING GLASS

The partners dance around their powerful feelings in a stunning Irish landscape, making this far more than an ordinary...

Two Buffalo detectives have yet another brush with death.

Lauren Riley and her partner and housemate, Shane Reese, have an intense and complex relationship on the cusp of being sexual. They are such stars at solving cold case murders that they’ve earned the enmity of Buffalo Police Department higher-ups annoyed with their fame. Forced to have her annual physical, Riley is bummed when she’s put on medical leave after refusing to admit she hasn't fully recovered from having been stabbed in another high-profile case. Bored, she renews her private investigator’s license and waits for an interesting case, which promptly appears when Sharon Whitney hires her to go to Ireland to find a Picasso that was stolen 40 years ago, while she was still married to Howard Whitney. Although the couple divorced and split the insurance payment of $3 million, the painting is now worth $20 million, and they both want it badly. Nothing was proven against the lead suspect, handyman Jimmy Breen, and he returned to Ireland. Riley convinces Reese to join her for a working holiday, and they arrive at a B&B in Keelnamara to learn that the Garda have ruled Breen’s recent death a murder and his tiny house has been trashed. When someone scours their room at the B&B, they realize that the painting has yet to be found. Since everyone in the small community knows about the missing painting, even the local Garda is suspect. The stakes are raised when a pub owner is tortured and killed. Riley and Reese keep a step ahead of the Garda and solve the complicated case, but their relationship and Riley’s prospects are still far from certain.

The partners dance around their powerful feelings in a stunning Irish landscape, making this far more than an ordinary procedural.

Pub Date: July 6, 2021

ISBN: 978-0-7278-9131-0

Page Count: 240

Publisher: Severn House

Review Posted Online: April 13, 2021

Kirkus Reviews Issue: May 1, 2021

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LISTEN FOR THE LIE

Smart, edgy, and entertaining as heck.

Against her better judgment, Lucy Chase returns to her hometown of Plumpton, Texas, for her grandmother’s birthday, knowing full well that almost everyone in town still believes she murdered her best friend five years ago, when they were in their early 20s.

Coincidentally—or is it?—Ben Owens, a true-crime podcaster, is also in town, interviewing Lucy’s family and former friends about the murder of Savannah Harper, “just the sweetest girl you ever met,” who died from several violent blows to the head. Lucy was found hours later covered in blood, with no memory of what happened. She was—and is—a woman with secrets, which has not endeared her to the people of Plumpton; their narrative is that she was always violent, secretive, difficult. But Ben wants to tell Lucy’s story; attractive and relentless, he uncovers new evidence and coaxes new interviews, and people slowly begin to question whether Lucy is truly guilty. Lucy, meanwhile, lets down her guard, and as she and Ben draw closer together, she has to finally face the truth of her past and unmask the murderer of her complicated, gorgeous, protective friend. Most of the novel is told from Lucy’s point of view, which allows for a natural unspooling of the layers of her life and her story. She’s strong, she’s prickly, and we gradually begin to understand just how wronged she has been. The story is a striking commentary on the insular and harmful nature of small-town prejudice and how women who don’t fit a certain mold are often considered outliers, if not straight-up villains. Tintera is smart to capitalize on how the true-crime podcast boom informs and infuses the current fictional thriller scene; she’s also effective at writing action that transcends the podcast structure.

Smart, edgy, and entertaining as heck.

Pub Date: March 5, 2024

ISBN: 9781250880314

Page Count: 352

Publisher: Celadon Books

Review Posted Online: Dec. 16, 2023

Kirkus Reviews Issue: Jan. 15, 2024

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DESERT STAR

Not the best of Connelly’s procedurals, but nobody else does them better than his second-best.

A snap of the yo-yo string yanks Harry Bosch out of retirement yet again.

Los Angeles Councilman Jake Pearlman has resurrected the LAPD’s Open-Unsolved Unit in order to reopen the case of his kid sister, Sarah, whose 1994 murder was instantly eclipsed in the press by the O.J. Simpson case when it broke a day later. Since not even a councilor can reconstitute a police unit for a single favored case, Det. Renée Ballard and her mostly volunteer (read: unpaid) crew are expected to reopen some other cold cases as well, giving Bosch a fresh opportunity to gather evidence against Finbar McShane, the crooked manager he’s convinced executed industrial contractor Stephen Gallagher, his wife, and their two children in 2013 and buried them in a single desert grave. The case has haunted Bosch more than any other he failed to close, and he’s fine to work the Pearlman homicide if it’ll give him another crack at McShane. As it turns out, the Pearlman case is considerably more interesting—partly because the break that leads the unit to a surprising new suspect turns out to be both fraught and misleading, partly because identifying the killer is only the beginning of Bosch’s problems. The windup of the Gallagher murders, a testament to sweating every detail and following every lead wherever it goes, is more heartfelt but less wily and dramatic. Fans of the aging detective who fear that he might be mellowing will be happy to hear that “putting him on a team did not make him a team player.”

Not the best of Connelly’s procedurals, but nobody else does them better than his second-best.

Pub Date: Nov. 8, 2022

ISBN: 978-0-316-48565-4

Page Count: 400

Publisher: Little, Brown

Review Posted Online: Sept. 27, 2022

Kirkus Reviews Issue: Oct. 15, 2022

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