by Lissa Price ‧ RELEASE DATE: March 13, 2012
Constantly rising stakes keep this debut intense.
In a future in which the elderly hold all of the power, the only things left for them to take are the bodies of the young.
After a germ-warfare attack, America was only able to vaccinate high-risk groups—medically vulnerable children and senior citizens—in time, creating an age gulf and an orphaned generation. Those without guardians, like Callie and her baby brother, scavenge and sneak to survive, lest marshals catch and throw them in institutions much like prisons. Desperation leads Callie to Prime Destinations, a body-bank that circumvents laws that prohibit minors from working by allowing them to donate their bodies (to be controlled by an elderly renter through neurochips and a brain-to-computer connection) for a stipend. Only one rental away from having the money to care for her ailing brother, Callie finds her chip drastically malfunctioning during a rental, enabling her to take partial control of her body back from a renter who plans on using her for murder. In between living the high life as a socialite grandniece and ward of her wealthy renter, Callie learns of plots more dangerous than the renter's and that only she can stop them. Some exposition is clumsily dropped in through dialogue, and some plot aspects don't hold up to scrutiny, but the twists and turns come so fast that readers will stay hooked.
Constantly rising stakes keep this debut intense. (Science fiction. 12 & up)Pub Date: March 13, 2012
ISBN: 978-0-385-74237-5
Page Count: 352
Publisher: Delacorte
Review Posted Online: Feb. 4, 2012
Kirkus Reviews Issue: Feb. 15, 2012
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by Lissa Price
by Daniel Aleman ‧ RELEASE DATE: May 4, 2021
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
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by Kathleen Glasgow ‧ RELEASE DATE: Aug. 30, 2016
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.
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New York Times Bestseller
After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.
Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)Pub Date: Aug. 30, 2016
ISBN: 978-1-101-93471-5
Page Count: 416
Publisher: Delacorte
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: May 15, 2016
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