A charming, relatable memoir on adoption, love, and identity.
After discovering that she was adopted, debut author Duren set out to find her birth mother and uncover her biological roots.
From a very young age, the author suspected that she might not be biologically related to her immediate family members. She looked different from them, for one thing, and often found herself emotionally isolated from her mother and brother. She occasionally asked her parents if she was adopted and they always waved off the question—until one day, her father simply admitted that she was. She was 15 at the time, and from that day forward, she was committed to finding her biological mother. She chronicles her long journey in a story involving decades-old records, helpful friends, unsupportive family members, old yearbooks, two private detectives, multiple phone calls with people who knew more than they admitted, and years of patient waiting. Along the way, Duren reveals bits and pieces of her own personal life, which included three marriages, four children, a brief time living in Germany, a successful career as a photographer, and a lifelong love of theater. In her quest, she encountered encouragement and discouragement from various parties, ultimately building her own support system, comprised of friends who loved her and were equally invested in her search. Duren writes somberly about serious events in her life (her adoptive parents’ aging, the slow pain of waiting for news, chasing dead ends), but her quirky sense of humor emerges throughout her memoir as she muses on her own insecurities and fantasies. She jokes about imaginary best-case and worst-case scenarios, writes silly captions for photographs (such as one that compares her haircut and her son’s), and recounts her childhood memories with fondness and amusement. In writing this delightful memoir, Duren ultimately explores the difference between the family we’re given and the family we choose. Readers will be left feeling satisfied by the hopeful ending to her search.
A charming, relatable memoir on adoption, love, and identity.Pub Date: Sept. 12, 2017
ISBN: 978-0-9982794-2-8
Page Count: 178
Publisher: Word Hermit Press LLC
Review Posted Online: Dec. 7, 2017
Kirkus Reviews Issue: Feb. 1, 2018
Review Program: Kirkus Indie
From the national correspondent for PBS's MacNeil-Lehrer Newshour: a moving memoir of her youth in the Deep South and her role in desegregating the Univ. of Georgia. The eldest daughter of an army chaplain, Hunter-Gault was born in what she calls the ``first of many places that I would call `my place' ''—the small village of Due West, tucked away in a remote little corner of South Carolina. While her father served in Korea, Hunter-Gault and her mother moved first to Covington, Georgia, and then to Atlanta. In ``L.A.'' (lovely Atlanta), surrounded by her loving family and a close-knit black community, the author enjoyed a happy childhood participating in activities at church and at school, where her intellectual and leadership abilities soon were noticed by both faculty and peers. In high school, Hunter-Gault found herself studying the ``comic-strip character Brenda Starr as I might have studied a journalism textbook, had there been one.'' Determined to be a journalist, she applied to several colleges—all outside of Georgia, for ``to discourage the possibility that a black student would even think of applying to one of those white schools, the state provided money for black students'' to study out of state. Accepted at Michigan's Wayne State, the author was encouraged by local civil-rights leaders to apply, along with another classmate, to the Univ. of Georgia as well. Her application became a test of changing racial attitudes, as well as of the growing strength of the civil-rights movement in the South, and Gault became a national figure as she braved an onslaught of hostilities and harassment to become the first black woman to attend the university. A remarkably generous, fair-minded account of overcoming some of the biggest, and most intractable, obstacles ever deployed by southern racists. (Photographs—not seen.)
Pub Date: Nov. 1, 1992
ISBN: 0-374-17563-2
Page Count: 192
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 1992
Necessarily swift and adumbrative as well as inclusive, focused, and graceful.
A light-speed tour of (mostly) Western poetry, from the 4,000-year-old Gilgamesh to the work of Australian poet Les Murray, who died in 2019.
In the latest entry in the publisher’s Little Histories series, Carey, an emeritus professor at Oxford whose books include What Good Are the Arts? and The Unexpected Professor: An Oxford Life in Books, offers a quick definition of poetry—“relates to language as music relates to noise. It is language made special”—before diving in to poetry’s vast history. In most chapters, the author deals with only a few writers, but as the narrative progresses, he finds himself forced to deal with far more than a handful. In his chapter on 20th-century political poets, for example, he talks about 14 writers in seven pages. Carey displays a determination to inform us about who the best poets were—and what their best poems were. The word “greatest” appears continually; Chaucer was “the greatest medieval English poet,” and Langston Hughes was “the greatest male poet” of the Harlem Renaissance. For readers who need a refresher—or suggestions for the nightstand—Carey provides the best-known names and the most celebrated poems, including Paradise Lost (about which the author has written extensively), “Kubla Khan,” “Ozymandias,” “The Charge of the Light Brigade,” Wordsworth and Coleridge’s Lyrical Ballads, which “changed the course of English poetry.” Carey explains some poetic technique (Hopkins’ “sprung rhythm”) and pauses occasionally to provide autobiographical tidbits—e.g., John Masefield, who wrote the famous “Sea Fever,” “hated the sea.” We learn, as well, about the sexuality of some poets (Auden was bisexual), and, especially later on, Carey discusses the demons that drove some of them, Robert Lowell and Sylvia Plath among them. Refreshingly, he includes many women in the volume—all the way back to Sappho—and has especially kind words for Marianne Moore and Elizabeth Bishop, who share a chapter.
Necessarily swift and adumbrative as well as inclusive, focused, and graceful.Pub Date: April 21, 2020
ISBN: 978-0-300-23222-6
Page Count: 304
Publisher: Yale Univ.
Review Posted Online: Feb. 8, 2020
Kirkus Reviews Issue: March 1, 2020
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