A powerful and ingenious collection of personal artifacts—and the associated memories—in poetry form.
In this compact volume, poems are structured to resemble artifacts in a museum, with each piece focusing on an item significant to the author’s past.
Fusing together the experiences of a museum collection with an art exhibition, this journey explores miscellaneous pieces of Chang’s personal history, from “It’s a Lamp, Charlie Brown” and “On Jolly Holiday” to “Un-sippy Cup” (“Now my daughter drinks from the cup”). Although only featuring 12 poems, the volume includes some powerhouse works. “She Couldn’t Quite Explain It/[It] Had Always Just Been There…,” which deals with resilience and transformation, works on multiple levels and exemplifies the author’s strength at not only telling a wisdom-filled story, but immersing readers in the vividness of the narrative as well. Revolving around a mint green shelf that Chang and her lover plucked from the garbage while living in Manhattan, the poem reveals that the object—which was very much like the author (“defiantly wrong, / too loud and odd”)—outlived that relationship and made it through “five moves, / a marriage, and children.” The poem, while a forceful analogy, is made exponentially stronger by Chang’s descriptive prowess. As the piece begins, the author plunges readers into the time and place: “Wednesday mornings in the West Village / trash trucks lumber up the narrow streets early enough / to sound like rebuke, their metal bodies screech / and seize, startle us from slumber. / No residents stir that early—only shopworkers / blasting vomit from front stoops, scraping dogshit from the curb.” Masterful imagery coupled with insightful self-examination can be found throughout the collection. In “The Perfect Bathing Suit: A Forgery,” a one-piece suit that once transformed the poet into a Hollywood starlet is now a “pearly exoskeleton” that reminds her of a cicada shell clinging to a tree: “It is hard to believe that a warm, / living thing once smoothly filled this architecture. That she is gone.” Lastly, each piece is accompanied by a museum label, which brilliantly adds information and depth to the poem. For example, a label for “The Gift of Horseradish” says in part: “Artist Unknown, b. mid-20th century….Poured glass bottle, embossed Pierre Smirnoff label in red, white and gold approx. 8” tall, 375ml capacity.”
A powerful and ingenious collection of personal artifacts—and the associated memories—in poetry form.Pub Date: N/A
ISBN: N/A
Page Count: 24
Publisher: Manuscript
Review Posted Online: Aug. 9, 2022
Kirkus Reviews Issue: Sept. 15, 2022
Review Program: Kirkus Indie
Breathtakingly magical.
A powerful homage to the natural world, from England by way of Canada.
Combining poetic words (somewhat reminiscent of Mary Oliver’s poetry in their passion for the natural world) with truly stunning illustrations, this unusually beautiful book brings to readers the magic and wonder of nature. This is not a book about ecology or habitat; this is a book that encourages readers to revel in, and connect with, the natural world. Focusing on a particular subject, whether it be animal, insect, or plant, each poem (rendered in a variety of forms) delivers a “spell” that can be playful, poignant, or entreating. They are most effective when read aloud (as readers are encouraged to do in the introduction). Gorgeous illustrations accompany the words, both as stand-alone double-page spreads and as spot and full-page illustrations. Each remarkable image exhibits a perfect mastery of design, lively line, and watercolor technique while the sophisticated palette of warms and cools both soothes and surprises. This intense interweaving of words and pictures creates a sense of immersion and interaction—and a sense that the natural world is part of us. A glossary encourages readers to find each named species in the illustrations throughout the book––and to go one step further and bring the book outside, to find the actual subjects in nature. Very much in the spirit of the duo’s magisterial The Lost Words (2018), this companion is significantly smaller than its sprawling companion; at just 6.5 by 4.5 inches when closed, it will easily fit into a backpack or generously sized pocket. “Wonder is needed now more than ever,” Macfarlane writes in the introduction, and this book delivers it.
Breathtakingly magical. (Poetry. 6-adult)Pub Date: Oct. 27, 2020
ISBN: 978-1-4870-0779-9
Page Count: 120
Publisher: House of Anansi Press
Review Posted Online: Oct. 23, 2020
An odd but sometimes-moving imagining of the nocturnal thoughts of the presidents of the United States.
A fanciful look at the dreams of U.S. presidents throughout history.
Phillips, a painter and multimedia artist, offers readers a mix of fact and fiction in a book that’s not so much about the inner lives as it is about the sleeping lives of America’s leaders. Working backward from Donald Trump to George Washington (including separate essays for each Grover Cleveland administration), Phillips’ essays imagine each man’s dreams about various subjects, include his childhood, his parents, and sex. Each essay attempts to capture the personality of the president at hand, and some bring in the viewpoints of other people, as in a dialogue between John and Abigail Adams or the musings of Zachary Taylor’s horse, Whitey. The chapter on Gerald Ford has a blank space in lieu of an essay, while Millard Fillmore, who was also not elected to the office of president, gets a full examination. The essays’ focuses aren’t always what one might expect; for example, John F. Kennedy’s essay is about living under the shadow of his father’s ambitions, and Franklin D. Roosevelt’s is about the women in his life. This multimedia coffee-table book is full of the author’s own full-color paintings and illustrations, painted in styles ranging from surreal to abstract, and their effectiveness varies. Mainly, though, this book highlights the challenges of blurring the lines between reality and fantasy. In his quest to enter the presidents’ dreams, Phillips generally gets the history right and does a good job of capturing the essence of many presidential personalities and relationships. However, some of the sexual references can be overly graphic, as can some bodily descriptions, such as one about Cleveland’s testicles. As a result, this book can be unsettling at times. Still, its imaginativeness makes one wonder what the author would have made of the dreams of the current president, who defeated the man who called him “Sleepy Joe.”
An odd but sometimes-moving imagining of the nocturnal thoughts of the presidents of the United States.Pub Date: Feb. 21, 2021
ISBN: 978-0-57-861384-0
Page Count: 215
Publisher: Black Book
Review Posted Online: June 15, 2021
Review Program: Kirkus Indie
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