Very entertaining, with an irrepressible, cheerworthy heroine.
A red-haired girl has three weeks to prove that kids in wheelchairs can gain acceptance, popularity, and maybe fame in this middle-grade novel.
Bluebell Skinks is as bold as her frizzy red hair, and she’s fearless while practicing spins “in a purple wheelchair…the latest model.” She and her sister, Bonnie (blonde, calm, and tidy), have always been privately tutored; their wealthy dad worries about mean children. Spending summers with Mr. Skinks, Bonnie, and Grandmother Skinks, Bluebell is due to return to Europe, where she lives with her mother, but that’s delayed this year. Meanwhile, Mr. Skinks and Bonnie go out of town, leaving Bluebell with her busy grandmother—the perfect opportunity to secretly attend Mortimer Potts Elementary School. Her plan? She’ll “become the most popular kid in the history of the school, maybe even famous!” Bluebell impersonates her grandmother on the phone and arranges a good reception at the school, not least because the principal would love a job with Skinks Industries. Bluebell makes friends and gains admirers with one exploit after another while outwitting Hoops Russell, the school’s best basketball player, who becomes determined to discredit her. By the end, everyone sees disability differently. Cooper (Granny’s Teeth, 2017) keeps things bouncing along with improbable but amusing events, like a science teacher’s experiment gone awry. At the same time, a strong dose of realism makes Bluebell’s progress more believable; for example, she campaigns for student government not through impossible promises but by thinking through, and getting buy-in for, workable compromises. Though broad, humor can be pointed: Bluebell’s well-meaning teacher is quoted as saying, “We should remember that disabled people are just like us, almost.” If Bluebell seems a little too self-confident and mature to be a realistic role model, there’s also an adult wheelchair basketball team whose members’ athleticism even Hoops admires—and a twist ending that puts things in perspective. The pencil comic book–style illustrations are animated and nicely composed.
Very entertaining, with an irrepressible, cheerworthy heroine.Pub Date: Jan. 21, 2019
ISBN: 978-1-4808-7245-5
Page Count: 123
Publisher: Archway Publishing
Review Posted Online: April 15, 2019
Kirkus Reviews Issue: May 15, 2019
Review Program: Kirkus Indie
BOOK REVIEW
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.
Pub Date: April 5, 1996
ISBN: 0-679-41224-7
Page Count: 304
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1996
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