Wit, a bit of romance, and a satisfying conclusion make for an often enjoyable read.

Design My Life

Drozdov offers a takedown of reality television in this debut novel about an assistant on a popular home-makeover program.

Jane Forte, a not-quite-middle-aged, divorced mother of a preteen daughter, has won first place on Decorating Challenge, a reality show airing on a major cable network that caters to the do-it-yourself lifestyle. Network superstar Sandy Lewis was one of the judges of the competition, and in a moment of exuberance, she promises to hire Jane as her design assistant on Design My Life, Sandy’s long-running decorating series. Jane, a little overweight and seriously insecure, timidly positions herself in the background, behind the cameras, as Sandy, the host, pretends to execute a variety of DIY projects that are actually put together by professional (albeit unpaid) construction crews. On-camera talent is chosen for looks, not creativity: “You have probably heard about television being only for Q-Tips—that is sticks with big heads,” Jane says. “It is true.” Ultimately, Jane, who handles everything from selecting homeowners to rounding up live turkeys to run through the set for a Thanksgiving shoot, will come out on top, although, naturally, it doesn’t turn out quite as she imagined. Drozdov has worked in the production of such lifestyle-television shows as the Canadian home-improvement series Holmes on Homes, so she’s well-versed in the mechanics and lingo of the industry. Her story offers an insider’s behind-the-scenes reveal of the nonstop chaos, acrimony, and chicanery that occurs during the production of a season’s worth of reality show episodes. “Spontaneous” conversations with homeowners are shown to be scripted, episode finales are filled with borrowed furniture, construction mistakes are covered over, and everything gets fixed in the editing room. The sharp, sometimes-scathing narrative flows energetically. Sometimes, though, the switches between multiple venues will blur readers’ sense of time. The text would also have benefited from a stronger copy edit to remove simple errors (“We need you do shoot a quick stand up”) and the occasionally inconsistent use of past or present tenses.

Wit, a bit of romance, and a satisfying conclusion make for an often enjoyable read.

Pub Date: Oct. 27, 2016

ISBN: 978-0-9952905-0-1

Page Count: 414

Publisher: CreateSpace

Review Posted Online: Dec. 2, 2016

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While a few weeks ago it seemed as if Praeger would have a two month lead over Dutton in their presentation of this Soviet best seller, both the "authorized" edition (Dutton's) and the "unauthorized" (Praeger's) will appear almost simultaneously. There has been considerable advance attention on what appears to be as much of a publishing cause celebre here as the original appearance of the book in Russia. Without entering into the scrimmage, or dismissing it as a plague on both your houses, we will limit ourselves to a few facts. Royalties from the "unauthorized" edition will go to the International Rescue Committee; Dutton with their contracted edition is adhering to copyright conventions. The Praeger edition has two translators and one of them is the translator of Doctor Zhivago Dutton's translator, Ralph Parker, has been stigmatized by Praeger as "an apologist for the Soviet regime". To the untutored eye, the Dutton translation seems a little more literary, the Praeger perhaps closer to the rather primitive style of the original. The book itself is an account of one day in the three thousand six hundred and fifty three days of the sentence to be served by a carpenter, Ivan Denisovich Shukhov. (Solzhenitsyn was a political prisoner.) From the unrelenting cold without, to the conditions within, from the bathhouse to the latrine to the cells where survival for more than two weeks is impossible, this records the hopeless facts of existence as faced by thousands who went on "living like this, with your eyes on the ground". The Dutton edition has an excellent introduction providing an orientation on the political background to its appearance in Russia by Marvin Kalb. All involved in its publication (translators, introducers, etc.) claim for it great "artistic" values which we cannot share, although there is no question of its importance as a political and human document and as significant and tangible evidence of the de-Stalinization program.

Pub Date: June 15, 1963

ISBN: 0451228146

Page Count: 181

Publisher: Praeger

Review Posted Online: Oct. 5, 2011

Kirkus Reviews Issue: June 15, 1963

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The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 22, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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