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YINKA, WHERE IS YOUR HUZBAND?

A sassy, spirited story.

A 31-year-old British Nigerian Oxford graduate is driven bonkers by the quest to find a man and a job on a very tight schedule.

Her younger sister is already married and pregnant, her best friend is engaged, her other best friend is becoming more of a frenemy, and her mother and aunties are "praying over her love life as if [she's] terminally ill." Poor Yinka is losing it. Instead of the promotion she expected at work, she's made redundant but has bragged so much about the move up that she's too embarrassed to tell anyone the truth. When pressured by her posse to set a "bridesmaid goal," she vows to get a date for the wedding (and, secretly, to get a job, before people find out the truth). Debut novelist Blackburn enlivens her account of Yinka's frantic quest by interspersing Google search histories, text conversations, and a series of flip charts with neon Post-it messages and KPIs (Key Performance Indicators) plotting out OPERATION WEDDING DATE: MY PLAN TO WIN ALEX AND HAVE A DATE FOR RACHEL’S WEDDING IN JULY!!! "Be more in touch with Nigerian culture"; "Learn a few Yoruba words"; "Increase my bum size by eating more pounded yam and doing 50 squats daily" are among the tasks she sets for herself—but since she knows this whole thing makes her look crazy, she keeps her "operation" a secret, too. Meanwhile, disappointments keep piling up as well as anxieties due to colorism, texturism, and Yinka's commitment to remain a virgin until her wedding day. After the Alex plan crashes and burns and she blows off the nerdy guy at church who clearly cares for her, only to see him pair up with a young hottie, things go seriously south in the mental health department. A liberal salting of patois—"Duh yuh waah your ier dun?" "Abeg. Give her a discount, ehn?"—and the deployment of comic Nigerian types (her mother, the aunties, the other members of her church) firmly root this novel in a community depicted with warmth and humor.

A sassy, spirited story.

Pub Date: Jan. 18, 2022

ISBN: 978-0-59-329900-5

Page Count: 384

Publisher: Pamela Dorman/Viking

Review Posted Online: Oct. 12, 2021

Kirkus Reviews Issue: Nov. 1, 2021

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EXPIRATION DATES

An entertaining love story with moments of depth.

What would you do if you knew your romantic destiny?

When Daphne Bell receives a card that says the word “Jake” and nothing else, she’s pretty sure she’s about to meet the man she will spend the rest of her life with. In many ways Daphne is your average 30-something, with a middling career as a producer’s assistant in Hollywood and a loving family and friends. But Daphne has received a little extra-special gift (mandate?) from the universe: Near the beginning of romantic relationships, she somehow receives a note bearing the name of a man and the exact amount of time they will date. This began in the fifth grade with a postcard saying, “Seth, eight days.” Since Jake’s card lacks a duration, Daphne jumps to the only logical conclusion: He must be “the one.” When Daphne finally meets Jake Green, he turns out to be sweet and sexy and has the delightful quirk of jotting down in a notebook every time he sees someone wearing Doc Martens, so she decides to put her faith in fate and go all in. But, of course, it can’t be so simple. First, Daphne is hiding significant secrets from Jake. And second, there is Hugo (3 months), Daphne’s ex-boyfriend and current best friend. Although Hugo is always dating some woman or other, when he and Jake meet, the awkward encounter makes it clear that not everyone is okay with Daphne and Hugo’s universe-sanctioned breakup. Ultimately, it’s up to Daphne to decide how much she’s willing to risk to take control of her future. Nothing groundbreaking here, but Serle provides an interesting conceit and a healthy dose of wit that readers will appreciate.

An entertaining love story with moments of depth.

Pub Date: March 19, 2024

ISBN: 9781982166823

Page Count: 272

Publisher: Atria

Review Posted Online: Jan. 5, 2024

Kirkus Reviews Issue: Feb. 1, 2024

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YELLOWFACE

A quick, biting critique of the publishing industry.

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What happens when a midlist author steals a manuscript and publishes it as her own?

June Hayward and Athena Liu went to Yale together, moved to D.C. after graduation, and are both writers, but the similarities end there. While June has had little success since publication and is struggling to write her second novel, Athena has become a darling of the publishing industry, much to June’s frustration. When Athena suddenly dies, June, almost accidentally, walks off with her latest manuscript, a novel about the World War I Chinese Labour Corps. June edits the novel and passes it off as her own, and no one seems the wiser, but once the novel becomes a smash success, cracks begin to form. When June faces social media accusations and staggering writer’s block, she can’t shake the feeling that someone knows the truth about what she’s done. This satirical take on racism and success in the publishing industry at times veers into the realm of the unbelievable, but, on the whole, witnessing June’s constant casual racism and flimsy justifications for her actions is somehow cathartic. Yes, publishing is like this; finally someone has written it out. At times, the novel feels so much like a social media feed that it’s impossible to stop reading—what new drama is waiting to unfold. and who will win out in the end? An incredibly meta novel, with commentary on everything from trade reviews to Twitter, the ultimate message is clear from the start, which can lead to a lack of nuance. Kuang, however, does manage to leave some questions unanswered: fodder, perhaps, for a new tweetstorm.

A quick, biting critique of the publishing industry.

Pub Date: May 16, 2023

ISBN: 9780063250833

Page Count: 336

Publisher: Morrow/HarperCollins

Review Posted Online: Feb. 22, 2023

Kirkus Reviews Issue: March 15, 2023

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