by Lloyd Bruce Miller ‧ RELEASE DATE: N/A
A quick, sometimes-frustrating read that may inspire in-depth conversation but that’s compromised by rambling verbosity.
Miller (Guilty or Innocent, 2011, etc.) jumps into the 2020 presidential race with a new and unusual fictional candidate.
A man named Harold, who admits to being “a screwball in a novel,” introduces himself as a 73-year-old man who’s obsessed with the idea of running for president in the next election. As the story opens, it’s “November 9, 2016. Trump won.” Although Harold realizes that he himself is “a nobody,” he figures that Trump’s victory means that he could also be “a valid candidate.” Before plunging into his policies, Harold warns readers that he’s the creation of an author who “may have some…type of aberration, himself.” One of Harold’s signature issues is the plight of the homeless. He theorizes that the answer to that problem and other “issues of concern to all of us” lies in better communication among the citizenry of the United States. To that end, Harold is an advocate of free speech “with absolutely no reservation or qualification.” If what you say or write doesn’t result in physical harm, it’s OK, he says. Even social media postings that threaten violence should be allowed, he asserts, because then we “have a chance to do something about it.” He also says that although he doesn’t agree with football players who take a knee in protest, he fully supports “their right to do so.” He’s for abortion rights and also favors state right-to-die laws. His solution to the immigration problem? Allow other countries to apply for U.S. statehood. Miller’s character is a self-deprecating gadfly who, as a presidential contender, seems designed to alternatingly please and offend readers—and in this, he’ll likely succeed. The author delivers Harold’s platform in uncomplicated prose that’s sometimes humorous. However, it also frequently slides into stream-of-consciousness rambling, which obscures his message: “So, you can read on if you wish….But you should realize that I don’t really make much sense realistically…. And further, if you took this seriously and wanted to nominate me for president, I would refuse point blank.” The candidate proposes a judicial system based on rehabilitation, to effect “a change in the lives and motivations of the criminal.” Release from prison shouldn’t be based upon time served, he says, but rather on the prisoner’s “working out the problem and changing.” At the same time, he believes that victims of crimes resulting in serious bodily injury should be able to get revenge for closure. In this way, his political positions defy classification. One minute he appears to be compassionate and concerned about social problems; the next, he seems infuriatingly obtuse. He opposes #MeToo, for instance, because he believes that it could lead to “the end of the right of [the] accused to defend himself.” He dismisses the idea of woman being “bothered in her mind all her life because a man touched her.” The victim, he asserts, “should learn to accept the innate terribleness of life.”
A quick, sometimes-frustrating read that may inspire in-depth conversation but that’s compromised by rambling verbosity.Pub Date: N/A
ISBN: 978-0-359-44586-8
Page Count: 91
Publisher: Lulu
Review Posted Online: May 17, 2019
Review Program: Kirkus Indie
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by Kristin Hannah ‧ RELEASE DATE: March 1, 2006
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
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by J.D. Salinger ‧ RELEASE DATE: June 15, 1951
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
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