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A BLESSING WELL DISGUISED

A BLINDED ARTIST'S INNER JOURNEY OUT OF THE DARK

In 1966, Burlingame was only 31 but was just starting to receive professional accolades as a stage designer on Broadway in...

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In this candid memoir, Broadway and opera stage designer Burlingame (Sets, Lights, & Lunacy: A Stage Designer’s Adventures on Broadway and in Opera, 2013, etc.) shines the spotlight on his broken childhood and his painful—but enlightening—loss of eyesight.

In 1966, Burlingame was only 31 but was just starting to receive professional accolades as a stage designer on Broadway in addition to his working with the renowned producer David Merrick. Burlingame ultimately became co-chair of the design department at NYU’s Tisch School of the Arts, but he continued to grapple with turmoil caused by his past. As a gay man who grew up in the 1930s and ’40s in Arlington, Virginia, Burlingame had learned to hate himself and his abusive, alcoholic father, who once threatened his mother with an ax. To make matters worse, the author discovered that he was slowly going blind. His job at NYU allowed him the financial privilege of receiving psychological help from Edward Edinger, an influential Jungian analyst. This honest, swiftly paced account details Burlingame’s 20-plus-year journey of self-discovery as he came to terms with the past and prepared for a future without eyesight (he’s now fully blind). A fan of Jungian analysis, Burlingame includes color pictures of his own dream-inspired artwork, as well as descriptions of some meetings with Edinger. He first thought of his blindness as a curse from an evil god who poked out his eyes, and he wondered how a blind artist could be any good. Yet as he realized his own self-worth, he eventually considered his blindness to be a blessing: “Going to the heart of the matter, maybe one way to understand ‘what good is a blind man?’ is to ask the fundamental question ‘what good is any man or woman?’ ” Burlingame admirably reinvented himself: Unable to design sets due to his failing eyesight, he embraced the art of quilting. Though at first he was afraid to walk with a cane through the sometimes-hostile streets of New York City, he eventually fell in love with two guide dogs who helped him navigate. Unlike his father, who committed suicide, Burlingame made peace with the past and at almost 80 has learned to love his inner child and “inner gay brother.”

Pub Date: Sept. 30, 2014

ISBN: 978-1500190927

Page Count: 276

Publisher: CreateSpace

Review Posted Online: Nov. 6, 2014

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SLEEPERS

An extraordinary true tale of torment, retribution, and loyalty that's irresistibly readable in spite of its intrusively melodramatic prose. Starting out with calculated, movie-ready anecdotes about his boyhood gang, Carcaterra's memoir takes a hairpin turn into horror and then changes tack once more to relate grippingly what must be one of the most outrageous confidence schemes ever perpetrated. Growing up in New York's Hell's Kitchen in the 1960s, former New York Daily News reporter Carcaterra (A Safe Place, 1993) had three close friends with whom he played stickball, bedeviled nuns, and ran errands for the neighborhood Mob boss. All this is recalled through a dripping mist of nostalgia; the streetcorner banter is as stilted and coy as a late Bowery Boys film. But a third of the way in, the story suddenly takes off: In 1967 the four friends seriously injured a man when they more or less unintentionally rolled a hot-dog cart down the steps of a subway entrance. The boys, aged 11 to 14, were packed off to an upstate New York reformatory so brutal it makes Sing Sing sound like Sunnybrook Farm. The guards continually raped and beat them, at one point tossing all of them into solitary confinement, where rats gnawed at their wounds and the menu consisted of oatmeal soaked in urine. Two of Carcaterra's friends were dehumanized by their year upstate, eventually becoming prominent gangsters. In 1980, they happened upon the former guard who had been their principal torturer and shot him dead. The book's stunning denouement concerns the successful plot devised by the author and his third friend, now a Manhattan assistant DA, to free the two killers and to exact revenge against the remaining ex-guards who had scarred their lives so irrevocably. Carcaterra has run a moral and emotional gauntlet, and the resulting book, despite its flaws, is disturbing and hard to forget. (Film rights to Propaganda; author tour)

Pub Date: July 10, 1995

ISBN: 0-345-39606-5

Page Count: 432

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1995

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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