A slender first novel that, in a series of short, impressionistic chapters, tells a disturbing tale of a young woman's love and hate for her frequently abusive father. Abandoned at the age of one by her mother Patience, who goes back to New York (working the streets there is the only way she could forget her passion for her brother Octavio), young Hannah keeps house for her father Jackson, an unsuccessful folk-singer. The two live on the shores of the Hudson River, where they raise goats to supplement the money Jackson earns by working in factories by day and singing in small, run-down clubs by night. While a senior in high school, Hannah has suddenly stopped speaking. She has forgotten the cause and can think only ``that it had been, perhaps, nothing more than the slow, sad welling up of pain.'' Deciding to ``speak and then she was going to leave,'' she confronts Jackson, whom she does not blame, though she hates him. Jackson for the first time tells Hannah about her mother, but when Hannah learns that Jackson is dying, she decides to stay on and, together with a young musician whom Jackson has befriended, nurse him. Jackson's death is the necessary catharsis, and wearing her father's red shirt Hannah retreats inside a closet. In the hospital, a doctor finally persuades her to remove the red shirt. What's revealed goes some way to explain Hannah. ``This is the beginning of sanity,'' the doctor suggests, and Hannah soon agrees. Now she ``was at the very beginning.'' Strong writing and vividly evoked scenes are undercut by a somewhat episodic structure and by characters who seem more vehicles for ideas than independent entities. Still, an interesting debut—and a writer to watch.
Pub Date: Sept. 30, 1991
ISBN: 0-671-74259-0
Page Count: 108
Publisher: Delphinium
Review Posted Online: May 20, 2010
Kirkus Reviews Issue: Aug. 1, 1991
Categories: GENERAL FICTION
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The phrase “tour de force” could have been invented for this audacious novel.
18
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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 22, 2014
Kirkus Reviews Issue: Jan. 1, 2015
Categories: GENERAL FICTION
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BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
The traumatic homecoming of a wounded warrior.
The daughter of alcoholics who left her orphaned at 17, Jolene “Jo” Zarkades found her first stable family in the military: She’s served over two decades, first in the army, later with the National Guard. A helicopter pilot stationed near Seattle, Jo copes as competently at home, raising two daughters, Betsy and Lulu, while trying to dismiss her husband Michael’s increasing emotional distance. Jo’s mettle is sorely tested when Michael informs her flatly that he no longer loves her. Four-year-old Lulu clamors for attention while preteen Betsy, mean-girl-in-training, dismisses as dweeby her former best friend, Seth, son of Jo’s confidante and fellow pilot, Tami. Amid these challenges comes the ultimate one: Jo and Tami are deployed to Iraq. Michael, with the help of his mother, has to take over the household duties, and he rapidly learns that parenting is much harder than his wife made it look. As Michael prepares to defend a PTSD-afflicted veteran charged with Murder I for killing his wife during a dissociative blackout, he begins to understand what Jolene is facing and to revisit his true feelings for her. When her helicopter is shot down under insurgent fire, Jo rescues Tami from the wreck, but a young crewman is killed. Tami remains in a coma and Jo, whose leg has been amputated, returns home to a difficult rehabilitation on several fronts. Her nightmares in which she relives the crash and other horrors she witnessed, and her pain, have turned Jo into a person her daughters now fear (which in the case of bratty Betsy may not be such a bad thing). Jo can't forgive Michael for his rash words. Worse, she is beginning to remind Michael more and more of his homicide client. Characterization can be cursory: Michael’s earlier callousness, left largely unexplained, undercuts the pathos of his later change of heart.
Less bleak than the subject matter might warrant—Hannah’s default outlook is sunny—but still, a wrenching depiction of war’s aftermath.Pub Date: Jan. 31, 2012
ISBN: 978-0-312-57720-9
Page Count: 400
Publisher: St. Martin's
Review Posted Online: Dec. 19, 2011
Kirkus Reviews Issue: Jan. 1, 2012
Categories: GENERAL FICTION
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