A beautiful, powerful reflection on a tragic history.
In spare verse, Lowry reflects on moments in her childhood, including the bombings of Pearl Harbor and Hiroshima.
When she was a child, Lowry played at Waikiki Beach with her grandmother while her father filmed. In the old home movie, the USS Arizona appears through the mist on the horizon. Looking back at her childhood in Hawaii and then Japan, Lowry reflects on the bombings that began and ended a war and how they affected and connected everyone involved. In Part 1, she shares the lives and actions of sailors at Pearl Harbor. Part 2 is stories of civilians in Hiroshima affected by the bombing. Part 3 presents her own experience as an American in Japan shortly after the war ended. The poems bring the haunting human scale of war to the forefront, like the Christmas cards a sailor sent days before he died or the 4-year-old who was buried with his red tricycle after Hiroshima. All the personal stories—of sailors, civilians, and Lowry herself—are grounding. There is heartbreak and hope, reminding readers to reflect on the past to create a more peaceful future. Lowry uses a variety of poetry styles, identifying some, such as triolet and haiku. Pak’s graphite illustrations are like still shots of history, adding to the emotion and somber feeling. He includes some sailors of color among the mostly white U.S. forces; Lowry is white.
A beautiful, powerful reflection on a tragic history. (author’s note, bibliography) (Memoir/poetry. 10-14)Pub Date: April 7, 2020
ISBN: 978-0-358-12940-0
Page Count: 80
Publisher: HMH Books
Review Posted Online: Jan. 11, 2020
Kirkus Reviews Issue: Feb. 1, 2020
PROFILES
A moving, age-appropriate, and convincing portrayal of family resilience after trauma.
Fleeing domestic abuse, a girl and her family begin a hard but hopeful journey to healing.
Eleven-year-old Lacey is shocked that Mama has called the police to take them, along with Lacey’s 4-year-old sister, Jenna, to safety—and unhappy at leaving the family dog behind. The girls are fearful and confused; Daddy’s rules prohibit leaving the house without him. Though he is put in jail, feeling safe will take time. Moving to transitional housing brings challenges. Lacey, home-schooled, has never had a friend. Daddy’s control over the family was absolute even when he wasn’t home to enforce it. Now Mama must learn to make her own decisions. Initially, Lacey misses Daddy’s rules, terrifying but known; she’s anxious at having new rules to follow, though breaking her father’s rules doesn’t bring retribution. With community help and support, the three timidly expand into their new life. Mama revives her artistic ambitions and, gaining strength, nurtures her daughters’ artistic gifts. Reading about Rachel Carson, Lacey finds life lessons in the natural world: observing how a sunflower grows from a seed and how a winding creek finds its own way. Lowell, who in an author’s note describes herself as a domestic-abuse survivor, focuses here on healing; the abuse is portrayed retrospectively—fitting, given her audience. Like her gentle illustrations, the verse format suits her story, a mosaic of small epiphanies that cumulatively chart a path from darkness into light. Characters’ race and ethnicities aren’t described explicitly.
A moving, age-appropriate, and convincing portrayal of family resilience after trauma. (Fiction. 10-14)Pub Date: May 10, 2022
ISBN: 978-0-593-10961-8
Page Count: 192
Publisher: Nancy Paulsen Books
Review Posted Online: June 21, 2022
Kirkus Reviews Issue: July 15, 2022
BOOK REVIEW
Thirteen-year-old love at its finest.
Two seventh grade Boston girls meet in poetry club, fall in love, fight, and find their way back to each other in this verse novel.
Even though “Love at First Sight is not a thing,” Olivia and new girl Eden quickly become friends and then more. But Eden, whose mom has left and whose dad is homophobic, wants to keep their relationship secret. Eden also becomes part of a tightknit group of girls she names the Crash. After one of their parties, Olivia hurls a misogynistic slur at Eden and breaks up with her. Regretful, Olivia later comes up with a scheme to win Eden back: a poetry night where she will perform a poem of apology. Both girls are largely without supportive adult guidance—Olivia’s mother has depression, and her avoidant dad works long hours—so they make mistakes and correct them as best they can, relying on poetry, music, and friends to fill in the gaps. Their personalities shine through their beautifully crafted poems, full of aches, worries, and joys. Three final poems, set a few months later, provide a coda and some closure. Olivia’s poems are aligned left, Eden’s are aligned right; drafts of Olivia’s apology poems appear on lined paper in a spiral-bound notebook. Both girls are coded White; Olivia’s best friend is trans.
Thirteen-year-old love at its finest. (Verse fiction. 11-14)Pub Date: May 30, 2023
ISBN: 9780063256941
Page Count: 368
Publisher: Katherine Tegen/HarperCollins
Review Posted Online: March 28, 2023
Kirkus Reviews Issue: April 15, 2023
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