A well-paced, entertaining novel woven of many strands that enlightens without becoming didactic.
Multiple generations of an extended African-American clan grapple with racism, unfair land laws and each other in this multifaceted family saga.
Family may never be easy to maintain, but the Needhams have more than their share of complications. More than 20 years ago, Jewell (Needham) Thompson put her son on a southbound train and moved on to an affluent life with a wealthy white husband who helps her pass as white. That son, Alonzo Rayne, now 30, also came north to Philadelphia, but travels back to South Carolina to care for the grandmother who raised him—and to help keep up the old farm that she can no longer maintain. On this latest trip, he takes his girlfriend's 7-year-old son Khalil, who has recently started to call him "Dad," and a load of questions about whether he can commit to the boy and his mother. But the tentative reconnection of mother and son—prompted by the loving girlfriend who hopes to heal Rayne's family and her own—brings up a violent and hate-filled past. That legacy, along with outdated laws that may cost the Needhams their land, form the backbone of a complex tale of realistic adults trying to forge a livable present while coming to terms with their legacies. Cary (Pride, 1999, etc.) returns to some of the themes of her earlier books: the abandonment of children, perhaps for their own good, and the ways we knit family together—with great success. Jumping from viewpoint to viewpoint, the narrative remains lively and distinctive, and if some of the bombshells are easy to predict (particularly the tragedy of Rayne's uncle), they are still affecting. While racism and its long-lasting toll are constant themes, Cary never gets preachy.
A well-paced, entertaining novel woven of many strands that enlightens without becoming didactic.Pub Date: May 10, 2011
ISBN: 978-1-4516-1022-2
Page Count: 320
Publisher: Atria
Review Posted Online: May 19, 2011
Kirkus Reviews Issue: June 1, 2011
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.
Pub Date: April 5, 1996
ISBN: 0-679-41224-7
Page Count: 304
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1996
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