edited by Lori marie Carlson ‧ RELEASE DATE: June 1, 1996
A tantalizing but disconnected sampler that hints at the range of contributions of 20th- century Hispanic authors and artists to this country's culture. On a foundation of reminiscences—Marco Rizo on his boyhood chum, Desi Arnaz, and Carnival in Santiago, Cuba; novelist Susan Lowell remembering her strong-minded grandmother; Oscar Hijuelos celebrating the ubiquitous street music in Spanish Harlem—cemented with brief introductions, Carlson (American Eyes, 1994, etc.) assembles anecdotes, photos, cartoons, poetry (some bilingual, with all Spanish translated), art, and essays from over two dozen contributors, on such diverse topics as music, racism, Operation Bootstrap's 1950s sterilization program in Puerto Rico, and the tin folk art called hojalateria. As the arrangement is broadly thematic and the editor stingy with dates, it's usually hard to tell an author's—or a piece's—age, and there is no sense of dialogue or historical development in the collection. Carlson declines to cite her sources or offer suggestions for further reading or viewing; her intent seems to be to pay tribute rather than to open a gateway for young readers. Parts of this are better than the disappointing whole. (b&w illustrations, not seen) (Anthology. 10-13)
Pub Date: June 1, 1996
ISBN: 0-8050-4120-6
Page Count: 124
Publisher: Henry Holt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 1996
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edited by Lori marie Carlson & photographed by Manuel Rivera-Ortiz & illustrated by Flavio Morais
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by Sheela Chari ‧ RELEASE DATE: May 30, 2017
A quick, agreeable caper, this may spark some discussion even as it entertains.
Myla and Peter step into the path of a gang when they unite forces to find Peter’s runaway brother, Randall.
As they follow the graffiti tags that Randall has been painting in honor of the boys’ deceased father, they uncover a sinister history involving stolen diamonds, disappearances, and deaths. It started long ago when the boys’ grandmother, a diamond-cutter, partnered with the head of the gang. She was rumored to have hidden his diamonds before her suspicious death, leaving clues to their whereabouts. Now everyone is searching, including Randall. The duo’s collaboration is initially an unwilling one fraught with misunderstandings. Even after Peter and Myla bond over being the only people of color in an otherwise white school (Myla is Indian-American; mixed-race Peter is Indian, African-American, and white), Peter can’t believe the gang is after Myla. But Myla possesses a necklace that holds a clue. Alternating first-person chapters allow peeks into how Myla, Peter, and Randall unravel the story and decipher clues. Savvy readers will put the pieces together, too, although false leads and red herrings are cleverly interwoven. The action stumbles at times, but it takes place against the rich backdrops of gritty New York City and history-laden Dobbs Ferry and is made all the more colorful by references to graffiti art and parkour.
A quick, agreeable caper, this may spark some discussion even as it entertains. (Mystery. 10-12)Pub Date: May 30, 2017
ISBN: 978-1-4197-2296-7
Page Count: 272
Publisher: Amulet/Abrams
Review Posted Online: Feb. 19, 2017
Kirkus Reviews Issue: March 1, 2017
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by Christopher Paul Curtis ‧ RELEASE DATE: Oct. 1, 1995
Curtis debuts with a ten-year-old's lively account of his teenaged brother's ups and downs. Ken tries to make brother Byron out to be a real juvenile delinquent, but he comes across as more of a comic figure: getting stuck to the car when he kisses his image in a frozen side mirror, terrorized by his mother when she catches him playing with matches in the bathroom, earning a shaved head by coming home with a conk. In between, he defends Ken from a bully and buries a bird he kills by accident. Nonetheless, his parents decide that only a long stay with tough Grandma Sands will turn him around, so they all motor from Michigan to Alabama, arriving in time to witness the infamous September bombing of a Sunday school. Ken is funny and intelligent, but he gives readers a clearer sense of Byron's character than his own and seems strangely unaffected by his isolation and harassment (for his odd look—he has a lazy eye—and high reading level) at school. Curtis tries to shoehorn in more characters and subplots than the story will comfortably bear—as do many first novelists—but he creates a well-knit family and a narrator with a distinct, believable voice. (Fiction. 10-12)
Pub Date: Oct. 1, 1995
ISBN: 0-385-32175-9
Page Count: 210
Publisher: Delacorte
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 1995
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