by Lori Weber ‧ RELEASE DATE: March 1, 2014
The characters’ unhappiness and hopes will resonate with many readers.
Three middle school girls, loosely connected by their various roles in a school bullying incident, narrate the stories of their lives.
Krista stops attending school and develops a dangerous addiction to diet pills after mean-girl Chelsea posts unflattering photos of Krista around their school. Frustrated by the school’s lack of visible advocacy for Krista, her sole friend, Tessa, creates a series of posters that highlight Krista’s talents—and her absence. Tessa’s campaign successfully engages the school community, providing Krista with much-needed support. Interspersed with the scenes related to bullying are explorations of each girl’s life outside of school: Krista and her father’s reliance on fast food while her mother works, Tessa’s grief over her father’s death during military service in Afghanistan, and Chelsea’s involvement with an abusive drug dealer in an attempt to fill the emotional void created by her selfish mother. Unfortunately, these girls sometimes feel like stock characters, but they do so only because they so accurately represent the reality of many teens’ lives. Middle school readers, in particular, will connect with multiple moments in the story, which ultimately offers some hope that Krista will recover with support from friends and health professionals. Chelsea’s fate is much darker and includes a frightening scene suggesting she is being sexually exploited by the drug dealer.
The characters’ unhappiness and hopes will resonate with many readers. (Fiction. 10-14)Pub Date: March 1, 2014
ISBN: 978-1-4594-0509-7
Page Count: 162
Publisher: James Lorimer
Review Posted Online: Jan. 14, 2014
Kirkus Reviews Issue: Feb. 1, 2014
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by Jane Yolen ‧ RELEASE DATE: March 6, 2018
Stands out neither as a folk-tale retelling, a coming-of-age story, nor a Holocaust novel.
A Holocaust tale with a thin “Hansel and Gretel” veneer from the author of The Devil’s Arithmetic (1988).
Chaim and Gittel, 14-year-old twins, live with their parents in the Lodz ghetto, forced from their comfortable country home by the Nazis. The siblings are close, sharing a sign-based twin language; Chaim stutters and communicates primarily with his sister. Though slowly starving, they make the best of things with their beloved parents, although it’s more difficult once they must share their tiny flat with an unpleasant interfaith couple and their Mischling (half-Jewish) children. When the family hears of their impending “wedding invitation”—the ghetto idiom for a forthcoming order for transport—they plan a dangerous escape. Their journey is difficult, and one by one, the adults vanish. Ultimately the children end up in a fictional child labor camp, making ammunition for the German war effort. Their story effectively evokes the dehumanizing nature of unremitting silence. Nevertheless, the dense, distancing narrative (told in a third-person contemporaneous narration focused through Chaim with interspersed snippets from Gittel’s several-decades-later perspective) has several consistency problems, mostly regarding the relative religiosity of this nominally secular family. One theme seems to be frustration with those who didn’t fight back against overwhelming odds, which makes for a confusing judgment on the suffering child protagonists.
Stands out neither as a folk-tale retelling, a coming-of-age story, nor a Holocaust novel. (author’s note) (Historical fiction. 12-14)Pub Date: March 6, 2018
ISBN: 978-0-399-25778-0
Page Count: 432
Publisher: Philomel
Review Posted Online: Dec. 20, 2017
Kirkus Reviews Issue: Jan. 15, 2018
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by Cherie Priest ; illustrated by Kali Ciesemier ‧ RELEASE DATE: May 26, 2015
Promising elements aplenty, but they never fully mesh or deliver more than a passing chill.
Cryptic clues in a Web comic put a Seattle teenager onto the trail of a deranged kidnapper and his victim.
Three years after the (supposed) drowning of bosom friend Libby, 16-year-old May is shocked to see new stickers and other merch for “Princess X,” an intrepid swordswoman in a puff-sleeved dress and sneakers that she and Libby had privately invented in fifth grade. The princess’s recently posted online adventures tell a scary tale about escaping from a “Needle Man” years after being stolen as a replacement for his own dead daughter. They leave May convinced that Libby is still alive—hiding out from her clever, relentless captor and imbedding veiled messages in the comic that only May would catch. Said hints lead May and Trick, a hacker dude she goes to for help, on a quest through the city’s seedier and underground quarters to encounters with Jackdaw (a gay, goth Robin Hood) and a desperate scheme to steal proof of the Needle Man’s perfidy. Priest cranks the suspense somewhat by casting the kidnapper as both an IT expert and a killer, but because he mostly appears only in the emotionally charged, sparely drawn purple-and-black comics pages that Ciesemier scatters through the tale’s first two-thirds, he remains, at best, a shadowy bogeyman.
Promising elements aplenty, but they never fully mesh or deliver more than a passing chill. (Thriller. 11-14)Pub Date: May 26, 2015
ISBN: 978-0-545-62085-7
Page Count: 256
Publisher: Levine/Scholastic
Review Posted Online: March 2, 2015
Kirkus Reviews Issue: March 15, 2015
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