Energetic crime fiction with sharp characters and a realistic menace.
An FBI agent and a homicide detective investigate murder and acid attacks in the Seattle area in Witt’s (The Tide of War, 2014) thriller.
Detective Damian Arruda is wracked with guilt after his partner, Allen Shephard, is killed. Allen had been convinced that his wife’s murder wasn’t just a random act, and Damian believed that his partner was chasing an imaginary conspiracy. As it turns out, Allen had been working with Special Agent Melissa Walker of the FBI’s cybercrimes unit. She’d also recently lost a partner, Shel Randall, and his murder, along with Allen’s, is likely related to an investigation into so-called “incel” forums. Incels are groups of people, predominantly men, who deem themselves “involuntarily celibate.” Melissa’s team has been monitoring their online communities, which generally consist of complaints; many forum-posters believe that they’re “entitled” to sex. The FBI believes that incels are behind some incidents of violence against women, and Melissa suspects them of attacking attractive men (whom incels call “Chads”) with sulfuric acid in and around Seattle. Working with Damian, Melissa and her six-agent team at the FBI’s Seattle field office keep a close eye on the members of one particular online forum, SaltyIncels. The acid attacks continue, however, and a new threat emerges when the team has reason to believe that recently discovered explosives are linked to an incel bombing plan. Witt’s dramatization of the real-life subculture of incels is riveting; periodic chapters of online discussions, for example, reveal how anonymous posters encourage others to engage in violent behavior. Her rich characterizations of the shrewd, headstrong protagonists augment the narrative, as does her use of short scenes and copious dialogue. There’s also plenty of tension throughout, as when Melissa’s boss wants her to drop the case and head back to Washington, D.C., or team members’ recurring clashes threaten to derail the investigation. Parts of the story, however, rely too heavily on coincidence, and one significant plot turn is easy to see coming. However, many readers will likely want to read more about Melissa and Damian in future planned installments.
Energetic crime fiction with sharp characters and a realistic menace.Pub Date: Oct. 20, 2018
ISBN: 978-1-71992-852-6
Page Count: 486
Publisher: Time Tunnel Media
Review Posted Online: Nov. 21, 2018
Review Program: Kirkus Indie
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.
Pub Date: April 5, 1996
ISBN: 0-679-41224-7
Page Count: 304
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1996
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