Next book

SOULFIRE

An angry, rough-hewn inner city story. Todd, 16, uneasily watches his hot-tempered cousin Ezekiel blow up when younger cousin Tommy starts hanging out with Todd's lawless older brother, Marcus. It's a situation ripe for tragedy, and when a series of confrontations escalates, Ezekiel and Tommy both take bullets, Tommy fatally. This is about power and respect: Parents and other adults don't get much, but Marcus, with a calm, scary disregard for others, is feared and admired. Hewett makes Marcus a victim, too, but the terror he inspires as a personification of the random street violence many readers see around them is undimmed. The author displays a convincing familiarity with the at-risk characters' dress, music, family structures, and profane language, but a romantic subplot is shoehorned in to explore tensions in a biracial family. Todd—a National Honor Society student who communicates with others through inarticulate sighs, shrugs, and monosyllables but carries on a running internal analysis of his moral dilemmas, racial attitudes, etc.—is too obviously a mouthpiece. Still, Hewett offers change at the end, without neat resolutions, and the frustrations of young people searching for something they can depend on are clear. (Fiction. 12+)

Pub Date: May 1, 1996

ISBN: 0-525-45559-0

Page Count: 231

Publisher: Dutton

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 1, 1996

Awards & Accolades

Our Verdict

  • Our Verdict
  • GET IT


  • Kirkus Reviews'
    Best Books Of 2020


  • Kirkus Prize
  • Kirkus Prize
    finalist


  • New York Times Bestseller


  • IndieBound Bestseller

Next book

CLAP WHEN YOU LAND

A standing ovation.

Awards & Accolades

Our Verdict

  • Our Verdict
  • GET IT


  • Kirkus Reviews'
    Best Books Of 2020


  • Kirkus Prize
  • Kirkus Prize
    finalist


  • New York Times Bestseller


  • IndieBound Bestseller

Tackles family secrets, toxic masculinity, and socio-economic differences with incisive clarity and candor.

Camino Rios lives in the Dominican Republic and yearns to go to Columbia University in New York City, where her father works most of the year. Yahaira Rios, who lives in Morningside Heights, hasn’t spoken to her dad since the previous summer, when she found out he has another wife in the Dominican Republic. Their lives collide when this man, their dad, dies in an airplane crash with hundreds of other passengers heading to the island. Each protagonist grieves the tragic death of their larger-than-life father and tries to unravel the tangled web of lies he kept secret for almost 20 years. The author pays reverent tribute to the lives lost in a similar crash in 2001. The half sisters are vastly different—Yahaira is dark skinned, a chess champion who has a girlfriend; Camino is lighter skinned, a talented swimmer who helps her curandera aunt deliver neighborhood babies. Despite their differences, they slowly forge a tenuous bond. The book is told in alternating chapters with headings counting how many days have passed since the fateful event. Acevedo balances the two perspectives with ease, contrasting the girls’ environments and upbringings. Camino’s verses read like poetic prose, flowing and straightforward. Yahaira’s sections have more breaks and urgent, staccato beats. Every line is laced with betrayal and longing as the teens struggle with loving someone despite his imperfections.

A standing ovation. (Verse novel. 14-18)

Pub Date: May 5, 2020

ISBN: 978-0-06-288276-9

Page Count: 432

Publisher: Quill Tree Books/HarperCollins

Review Posted Online: March 1, 2020

Kirkus Reviews Issue: March 15, 2020

Awards & Accolades

Likes

  • Readers Vote
  • 48


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

Next book

GIRL IN PIECES

This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.

Awards & Accolades

Likes

  • Readers Vote
  • 48


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.

Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.

This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)

Pub Date: Aug. 30, 2016

ISBN: 978-1-101-93471-5

Page Count: 416

Publisher: Delacorte

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: May 15, 2016

Close Quickview