Even the most ravenous appetites for more gruesome revelations about the Bosnian nightmare will be sated. Despite the weight...



A particularly horrific crime kicks off the fifth case for Detective Chief Superintendent Konrad Simonsen and the Homicide Department of the Copenhagen PD.

A shadowy man jumps from a canal bridge to a tour boat passing below, conceals himself until the time is right, then emerges from his hiding place, armed with a combat knife, and quickly kills the captain, the tour guide, and two passengers before the only other adult aboard leaps into the water even though she can’t swim. Left alone on the boat with the 16 Asian children on the tour, he strips to his bathing suit and swims away. Nor is the carnage over, for the unpiloted boat, crossing the path of another vessel unable to avoid hitting it, is cut in half, drowning most of the children. The crime would be monstrous under any circumstances, but when Simonsen’s wife and colleague, Nathalie von Rosen, aka the Countess, realizes that one of the dead is Sgt. Pauline Berg, it takes on a fiercely personal intensity. Was Pauline the killer’s primary target? Why did he choose to attack her in such a public way? What to make of the old cases to which the outrage is clearly linked when there’s every indication that telltale details of those cases were hedged, obscured, or concealed? In good time the homicide squad connects the attack to Bosnian War veteran Bjørn Lauritzen and versatile judge advocate/intelligence officer Irene Gallagher. But the resulting courtroom proceedings backfire spectacularly, with disastrous results for Simonsen (The Lake, 2017, etc.) and especially Deputy Homicide Chief Arne Pedersen, his right-hand man. A trip to Bosnia stirs up evidence of even more crimes; the corruption is so thick and pervasive, with so many heavy hitters arrayed against Homicide, that it’s something of a miracle when the case is finally closed.

Even the most ravenous appetites for more gruesome revelations about the Bosnian nightmare will be sated. Despite the weight of all this historical detail, the most powerful sequences are the very first and the very last, showing the slaughter on the canal and the final apprehension of the culprit.

Pub Date: July 3, 2018

ISBN: 978-1-63557-162-2

Page Count: 352

Publisher: Bloomsbury

Review Posted Online: May 15, 2018

Kirkus Reviews Issue: June 1, 2018

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Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.


Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.

A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Pub Date: March 17, 2020

ISBN: 978-1-9821-3888-2

Page Count: 352

Publisher: Scribner

Review Posted Online: Dec. 23, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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Patterson's thrillers (Virgin, 1980; Black Market, 1986) have plummeted in quality since his promising debut in The Thomas Berryman Number (1976)—with this latest being the sorriest yet: a clanky and witless policer about a criminal mastermind and the cop sworn to take him down. Aside from watching sympathetic homicide dick John ("Stef") Stefanovich comeing to terms with a wheelchair-bound life—legacy of a shotgun blast to the back by drug-and-gun-running archfiend Alexandre St.-Germain—the major interest here lies in marvelling at the author's trashing of fiction convention. The whopper comes early: although St.-Germain is explicity described as being machine-gunned to death by three vigilante cops in a swank brothel (". . .a submachine gun blast nearly ripped off the head of Alexandre St.-Germain"; "The mobster's head and most of his neck had been savaged by the machine-gun volley. The body looked desecrated. . ."), before you know it this latter-day Moriarty is stepping unscathed out of an airplane. What gives? Authorial cheating, that's what—thinly glossed over with some mumbling later on about a "body double." Not that St.-Germain's ersatz death generated much suspense anyway, with subsequent action focusing on, among other items, the gory killings of assorted mob bosses by one of the vigilante cops, and Stef's viewing of pornographic tapes confiscated from that brothel. But readers generous enough to plod on will get to read about the newly Lazarus-ized St.-Germain's crass efforts to revitalize and consolidate the world's crime syndicates ("the Midnight Club"), Stef's predictable tumble for a sexy true-crime writer, and how (isn't one miracle enough for Patterson?) at book's end Stef walks again and gets to embrace a rogue cop who's murdered several people. Ironsides with a badge and a lobotomy.

Pub Date: Jan. 23, 1988

ISBN: 0446676411

Page Count: 384

Publisher: Little, Brown

Review Posted Online: Oct. 3, 2011

Kirkus Reviews Issue: Jan. 1, 1988

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