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OUT OF RUSHMORE'S SHADOW

THE LUIGI DEL BIANCO STORY

An entertaining, inspiring memoir that ably captures an important slice of American history.

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In this memoir, a man details his efforts to win recognition for his grandfather’s contributions to the construction of Mount Rushmore.

Del Bianco (In the Shadow of the Mountain, 2012) enjoyed an especially tight bond with his grandfather Luigi Del Bianco, a talented sculptor and carver. The author’s grandfather worked as the chief carver on the Mount Rushmore project under the famous designer, Gutzon Borglum, the only worker to have such an elevated distinction. But when an authoritative guide on Mount Rushmore was published in 1985, the author’s grandfather wasn’t even mentioned. Del Bianco was inspired to research his grandfather’s participation with the help of his uncle Caesar Del Bianco, who wrote to Lincoln Borglum, the designer’s son, for more information, correspondence that confirmed the significance of the role the author’s grandfather played. Del Bianco was encouraged by another author who wrote about Mount Rushmore to travel to the Library of Congress and inspect the “Borglum Papers,” a massive storehouse of correspondence Borglum wrote, a valuable historical resource. The author traveled to Mount Rushmore and tirelessly lobbied the site’s administrators to provide some official recognition of his grandfather’s achievement. The remembrance roughly bifurcates into two storylines—Del Bianco’s quest to achieve an official acknowledgement of his grandfather’s work and to create a biography of the man, an Italian immigrant who lived a remarkably eventful life. Born in 1892 aboard a ship sailing off the coast of France, he moved to the United States in 1908 at 17. He returned to Italy in 1915 to fight in World War I, and when he re-entered the United States, a friend introduced him to both Borglum and his future wife, Nicoletta. Del Bianco doggedly tracks down every available shred of information about his grandfather with the meticulousness of a forensic accountant. What emerges is not only an extraordinary biography, and an astute history of Mount Rushmore’s construction, but also an endearing account of a man’s loving homage to his grandfather. The author produced and starred in a one-man show about his grandfather, an act he was invited to perform at Mount Rushmore for a Fourth of July celebration. Del Bianco’s prose is clear and buoyant. It’s easy to be drawn into his infectious enthusiasm for the subject matter. Also, he provides an instructive technical analysis of the construction of Mount Rushmore. The recollection unfolds like a suspenseful drama, keeping the reader waiting to share the author’s discoveries and see if his grandfather is eventually accorded recognition for his work. The book includes old photographs detailing the author’s travels, his grandfather’s life, and Mount Rushmore and features pertinent documents and correspondence. Though a personal memoir, the information about Mount Rushmore should appeal to a wide audience, which will likely include those interested in either American history or sculpture.

An entertaining, inspiring memoir that ably captures an important slice of American history.

Pub Date: Sept. 13, 2017

ISBN: 978-0-9989987-4-9

Page Count: 378

Publisher: Niche Content Press

Review Posted Online: Oct. 20, 2017

Kirkus Reviews Issue: Dec. 15, 2017

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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