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FLOATING IN A MOST PECULIAR WAY

A MEMOIR

A beautifully written contribution to recent work of the African diaspora.

A distinguished literary scholar delivers an affecting memoir of life as an exile, with a David Bowie soundtrack in the background.

“We were from Biafra, mind you. Not Nigeria.” So writes Boston University professor Chude-Sokei, who left his homeland after what has been called “Africa’s first televised war.” His father, a major, died in the conflict—assassinated, it was said—whereupon his mother, a Jamaican, returned to her native country with her young son. “All I had with me when I arrived in Jamaica,” writes the author, “was a song, not an Igbo song but a Western one played on the radio about floating in space and choosing never to come down. It was a song about someone named Major Tom, and it eventually became my only memory of my origins in Africa.” Early on, as he shows in this forthright, deftly profound narrative, he stood as a definitive outsider, given to reading what an aunt called “foolish space books,” among the many things left behind when his mother moved her family to America. In the U.S., Chude-Sokei discovered further mysteries, including something he’d never heard before—the N-word—and something he’d never encountered before: an odd sort of racism that came at him from both sides, from Whites and from Blacks, such as a teacher who informed his schoolmates that “Africans were backward and spent all their time killing one another, like in Uganda and Biafra, and were an embarrassment to real black people.” With Bowie’s “Space Oddity” as his madeleine, the author grew up to explore both his adopted country and his native one. Just as Major Tom died along with his creator, so Chude-Sokei’s old world was eventually foreclosed as his cancer-stricken mother extracted a promise from him to bury her in Nigeria. And so he did, “placing my mother’s remains next to my father’s grave near the house he’d built for her before the war scattered us.”

A beautifully written contribution to recent work of the African diaspora.

Pub Date: Feb. 2, 2021

ISBN: 978-1-328-84158-2

Page Count: 240

Publisher: Mariner Books

Review Posted Online: Nov. 24, 2020

Kirkus Reviews Issue: Dec. 15, 2020

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  • New York Times Bestseller

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TANQUERAY

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

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A former New York City dancer reflects on her zesty heyday in the 1970s.

Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

Pub Date: July 12, 2022

ISBN: 978-1-250-27827-2

Page Count: 192

Publisher: St. Martin's

Review Posted Online: July 27, 2022

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LOVE, PAMELA

A juicy story with some truly crazy moments, yet Anderson's good heart shines through.

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The iconic model tells the story of her eventful life.

According to the acknowledgments, this memoir started as "a fifty-page poem and then grew into hundreds of pages of…more poetry." Readers will be glad that Anderson eventually turned to writing prose, since the well-told anecdotes and memorable character sketches are what make it a page-turner. The poetry (more accurately described as italicized notes-to-self with line breaks) remains strewn liberally through the pages, often summarizing the takeaway or the emotional impact of the events described: "I was / and still am / an exceptionally / easy target. / And, / I'm proud of that." This way of expressing herself is part of who she is, formed partly by her passion for Anaïs Nin and other writers; she is a serious maven of literature and the arts. The narrative gets off to a good start with Anderson’s nostalgic memories of her childhood in coastal Vancouver, raised by very young, very wild, and not very competent parents. Here and throughout the book, the author displays a remarkable lack of anger. She has faced abuse and mistreatment of many kinds over the decades, but she touches on the most appalling passages lightly—though not so lightly you don't feel the torment of the media attention on the events leading up to her divorce from Tommy Lee. Her trip to the pages of Playboy, which involved an escape from a violent fiance and sneaking across the border, is one of many jaw-dropping stories. In one interesting passage, Julian Assange's mother counsels Anderson to desexualize her image in order to be taken more seriously as an activist. She decided that “it was too late to turn back now”—that sexy is an inalienable part of who she is. Throughout her account of this kooky, messed-up, enviable, and often thrilling life, her humility (her sons "are true miracles, considering the gene pool") never fails her.

A juicy story with some truly crazy moments, yet Anderson's good heart shines through.

Pub Date: Jan. 31, 2023

ISBN: 9780063226562

Page Count: 256

Publisher: Dey Street/HarperCollins

Review Posted Online: Dec. 5, 2022

Kirkus Reviews Issue: Jan. 1, 2023

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