An audacious crusade from a hero (and his friends) with chops.

THE STONE OF DAVID

A New Orleans PI faces off against a crime boss and a drug-smuggling ring in Corona’s debut crime thriller.

When college student Billy Brewer dies from an overdose of 25i, a new synthetic drug flooding New Orleans’ streets, mom Nancy calls her brother, David Fournette, a former New Orleans cop now working as a PI. Finding the supplier is easy, but stopping him proves much harder: He’s Jim Marasco, son of Tony, a criminal with powerful connections. An all-too-convenient car accident takes care of Billy’s friend—and potential witness—John, but it seems that the bad guys have also targeted David when someone abducts his 14-year-old son, Tim. David and FBI pal Alan Smith, along with a helping hand from the FBI, are determined to put a stop to Tony by intercepting his legit importing business, an apparent front for smuggling 25i. Despite David’s private-eye status, the author’s novel isn’t much of a detective story. David’s involvement in the case, regarding both his nephew’s death and son’s kidnapping, is personal, and he gets an abundance of info and assistance from the feds and even an off-duty cop, Mark Harris. While readers hoping to trail a gumshoe scrutinizing clues will be disappointed, the book excels as a crime novel, especially in its thorough coverage of the villains. Tony, recognizing Jim as an unwanted agitator, tries to keep him out of trouble by sending him to Italy, where Tony gets his 25i; Jim is, predictably, no less a complication, his eye on Bella, wife to Tony’s Italian partner, Franco Romano. And Tony verifies that he is the most menacing of all lawbreakers—at least in New Orleans—when another gangster who may help police tie John’s murder to the crime boss winds up with a bullet in his head. The biblical analogy implied by the title doesn’t exactly apply: David is certainly up against a Goliath, but having the FBI at his disposal gives him much more than the proverbial stone. Still, his fight is both noble and courageous, traits befitting a worthy hero. A sequel will hopefully see him put his investigative noggin to the test.

An audacious crusade from a hero (and his friends) with chops.

Pub Date: Aug. 22, 2013

ISBN: 978-1490547244

Page Count: 224

Publisher: CreateSpace

Review Posted Online: Nov. 24, 2014

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A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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DEVOLUTION

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z (2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 10, 2020

Kirkus Reviews Issue: March 1, 2020

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Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

THEN SHE WAS GONE

Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.

Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Pub Date: April 24, 2018

ISBN: 978-1-5011-5464-5

Page Count: 368

Publisher: Atria

Review Posted Online: Feb. 6, 2018

Kirkus Reviews Issue: Feb. 15, 2018

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