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EVERY MONDAY IN THE MAILBOX

First-grader Melinda, who lives with her mother, reluctantly says goodbye to a grandmotherly neighbor, Mrs. Wilcox, who's moving to a nursing home. Mrs. Wilcox promises Melinda a surprise in the mailbox every Monday, and her cheerful cards and letters become the eagerly anticipated focus of Melinda's week. Although there is no hint that Mrs. Wilcox is seriously ill, their correspondence is to be short-lived; before Melinda can learn her letters to write back, Mrs. Wilcox dies in her sleep. Grief hurts more than a ``sprained wrist,'' but eventually Melinda hits on a palliativewriting to Mrs. Wilcox's nursing home friend, Mrs. Mingo. Fox's first book is full of good intentions, but the story is glib, and moves awkwardly through some flashbacks and preamble before it is really launched. The pictures have an oversweetened, artificial quality, but Melinda's natural exuberance comes through on every spread. (Picture book. 4-6)

Pub Date: July 1, 1995

ISBN: 0-8028-5111-8

Page Count: 32

Publisher: Eerdmans

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 15, 1995

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ON MEADOWVIEW STREET

While her father mows the lawn at her new house, Caroline wonders how it could actually reflect the street’s name. Soon she finds a small blossom growing in the grass, then another, and eventually persuades Dad to sell the mower while the yard grows freely with wildflowers. Adding a maple tree and a man-made pond attracts an assortment of wildlife from birds, to insects, to a mud turtle and a meadow mouse. Neighbors are encouraged to follow suit, creating meadow environments rather than pristine lawns. Full-color acrylic paintings in double-paged spreads of multiple shades of green, dotted with hues of summer flowers, tell this nature-lover’s story which suggests the possibility of chemical-free garden environments. Though the message will be missed by young children, most will enjoy a final rendering of all the meadow creatures next to their proper names that now live on Meadowview Street. Gentle persuasion for the naturalist in everyone. (Picture book. 4-6)

Pub Date: May 1, 2007

ISBN: 978-0-06-056481-0

Page Count: 32

Publisher: Greenwillow Books

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 15, 2007

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THE GINGERBREAD MAN

A traditional cumulative tale, which Aylesworth (My Sister's Rusty Bike, 1996, etc.) endows with a lively pace, is illustrated in a decidedly old-fashioned style, giving the book the look and feel of a reproduction of an old edition. Working with precise pen-and-ink, McClintock portrays the cozy home of an elderly couple, dressed in Victoriana and in possession of a great wood-burning stove. Her work has never been more animated than in the scenes of the two-dimensional gingerbread man running away, exuberantly eluding everyone elsethe couple, a butcher, and a cow and pig dressed in human clothesuntil he is devoured by a fox. The portrayals of a cow and pig are more bizarre than charming, and the too-obvious wrinkles on the elderly people's faces are one example of eccentric choices on the part of the illustrator.With Richard Egielski's The Gingerbread Boy (1997) hot off the press and other fine variations of the tale still in print, it's hard to make the case for this one, other than to appreciate its antique look. (Picture book/folklore. 4-6)

Pub Date: April 1, 1998

ISBN: 0-590-97219-7

Page Count: 32

Publisher: Scholastic

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 1, 1998

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