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THE IDEA OF LOVE

Although neither the plot nor the characters quite jell, Dean (This Human Season, 2007) has a darkly optimistic,...

Brittle, sometimes brutal comedy of sex and marriage shows British and American ex-pats spending some very unhappy years in a very unromanticized South of France.

British pharmaceuticals salesman Richard lives “on the crossroads of rip-you-off-Riviera and rob-you-blind-Provence” with his French wife Valérie and 13-year-old son Maxence, who may or may not have serious psychological problems. Valérie’s parents live next door, mostly on Richard’s largesse. Drawn with few redeeming characteristics, Valérie is not only cold and lazy but seems to dislike Max. Unhappy Richard claims to yearn for an intimacy he can’t find with either Valérie or the string of women he sleeps with while traveling for his job. Valérie and Richard socialize increasingly with their equally unhappily married neighbors, artistic but shallow American Jeff and British Rachel, a devout Christian. Gradually Valérie decides she’s in love with Jeff, and Richard finds himself drawn to Rachel. Just as tensions heat up, Rachel pressures Jeff to travel with her to Africa to save orphans, realizes she has been duped—the “orphans” are not what they seem—and loses her faith. Meanwhile Richard goes to Africa to open a new territory for anti-depressants, has a moral epiphany and decides to quit his sleazy job. When Rachel learns of Valérie and Jeff’s affair, she returns to England with daughter Maud, the one human being for whom Jeff genuinely cares. Richard wants to leave France too, but not without Max; Rachel demands custody, even though the boy hates his mother. Cut off from his family, without a job, Richard slides into a drunken nervous breakdown. Eventually he connects with Rachel, and they begin a long-distance love affair just as Valérie and Jeff’s affair begins to cool. Whether Richard can find happiness remains unclear, but his shiftless yet loving in-laws may point the way.

Although neither the plot nor the characters quite jell, Dean (This Human Season, 2007) has a darkly optimistic, intellectually humanistic sensibility that recalls Iris Murdoch.

Pub Date: July 1, 2009

ISBN: 978-0-15-101385-2

Page Count: 336

Publisher: Houghton Mifflin Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 1, 2009

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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LOVE AND OTHER WORDS

With frank language and patient plotting, this gangly teen crush grows into a confident adult love affair.

Eleven years ago, he broke her heart. But he doesn’t know why she never forgave him.

Toggling between past and present, two love stories unfold simultaneously. In the first, Macy Sorensen meets and falls in love with the boy next door, Elliot Petropoulos, in the closet of her dad’s vacation home, where they hide out to discuss their favorite books. In the second, Macy is working as a doctor and engaged to a single father, and she hasn’t spoken to Elliot since their breakup. But a chance encounter forces her to confront the truth: what happened to make Macy stop speaking to Elliot? Ultimately, they’re separated not by time or physical remoteness but by emotional distance—Elliot and Macy always kept their relationship casual because they went to different schools. And as a teen, Macy has more to worry about than which girl Elliot is taking to the prom. After losing her mother at a young age, Macy is navigating her teenage years without a female role model, relying on the time-stamped notes her mother left in her father’s care for guidance. In the present day, Macy’s father is dead as well. She throws herself into her work and rarely comes up for air, not even to plan her upcoming wedding. Since Macy is still living with her fiance while grappling with her feelings for Elliot, the flashbacks offer steamy moments, tender revelations, and sweetly awkward confessions while Macy makes peace with her past and decides her future.

With frank language and patient plotting, this gangly teen crush grows into a confident adult love affair.

Pub Date: April 10, 2018

ISBN: 978-1-5011-2801-1

Page Count: 416

Publisher: Gallery Books/Simon & Schuster

Review Posted Online: Jan. 22, 2018

Kirkus Reviews Issue: Feb. 1, 2018

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