by Louise Galveston ‧ RELEASE DATE: Feb. 27, 2014
Can a kid who killed his hermit crab through neglect save a brand new civilization?
Sixth-grader Todd Galveston Butroche just wants to survive the new year at Wakefield Middle School. He and his best friend, Duddy, have always been bullied; this year’s got to be different. Todd and his home-schooled neighbor, Lucy, discover an entire civilization of tiny humanoids living on a sweaty gym sock under Todd’s bed in his disgustingly unclean room. The Toddlians see Todd as a god; Todd sees them as his ticket to coolness after he’s paired with uber-bully Max for the science fair. Max wants to train the Toddlians to do dangerous tricks. Will Todd give up his friends and destroy a civilization just to be cool? No need to guess why Galveston decided to use a pseudonym for this unfortunate waste of an entertainingly gross premise. The frame story, related by Toddlian Lewis, doesn’t work particularly well with Todd’s first-person narration. The tiny Toddlians are microscopic when Todd first discovers them, but fairly quickly he’s able to see them with his naked eye, and they can juggle marbles and ride chameleons. Dated and unfunny jokes about such figures as Nixon and John Wayne will be totally lost on the target audience, and there’s a serious problem with relative time in the narrative. This entry in the little-people subgenre should be avoided like a moldy tube sock. The “to be continued” on the final page reads like a threat. (Fantasy. 8-11)
Pub Date: Feb. 27, 2014
ISBN: 978-1-59514-677-9
Page Count: 240
Publisher: Razorbill/Penguin
Review Posted Online: Nov. 12, 2013
Kirkus Reviews Issue: Dec. 1, 2013
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BOOK REVIEW
by Natalie Babbitt ‧ RELEASE DATE: Nov. 1, 1975
However the compelling fitness of theme and event and the apt but unexpected imagery (the opening sentences compare the...
At a time when death has become an acceptable, even voguish subject in children's fiction, Natalie Babbitt comes through with a stylistic gem about living forever.
Protected Winnie, the ten-year-old heroine, is not immortal, but when she comes upon young Jesse Tuck drinking from a secret spring in her parents' woods, she finds herself involved with a family who, having innocently drunk the same water some 87 years earlier, haven't aged a moment since. Though the mood is delicate, there is no lack of action, with the Tucks (previously suspected of witchcraft) now pursued for kidnapping Winnie; Mae Tuck, the middle aged mother, striking and killing a stranger who is onto their secret and would sell the water; and Winnie taking Mae's place in prison so that the Tucks can get away before she is hanged from the neck until....? Though Babbitt makes the family a sad one, most of their reasons for discontent are circumstantial and there isn't a great deal of wisdom to be gleaned from their fate or Winnie's decision not to share it.
Pub Date: Nov. 1, 1975
ISBN: 0312369816
Page Count: 164
Publisher: Farrar, Straus and Giroux
Review Posted Online: April 13, 2012
Kirkus Reviews Issue: Nov. 1, 1975
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by Valerie Worth & illustrated by Natalie Babbitt
by Chad Morris & Shelly Brown ‧ RELEASE DATE: Oct. 3, 2017
Medically, both squicky and hopeful; emotionally, unbelievably squeaky-clean.
A 12-year-old copes with a brain tumor.
Maddie likes potatoes and fake mustaches. Kids at school are nice (except one whom readers will see instantly is a bully); soon they’ll get to perform Shakespeare scenes in a unit they’ve all been looking forward to. But recent dysfunctions in Maddie’s arm and leg mean, stunningly, that she has a brain tumor. She has two surgeries, the first successful, the second taking place after the book’s end, leaving readers hanging. The tumor’s not malignant, but it—or the surgeries—could cause sight loss, personality change, or death. The descriptions of surgery aren’t for the faint of heart. The authors—parents of a real-life Maddie who really had a brain tumor—imbue fictional Maddie’s first-person narration with quirky turns of phrase (“For the love of potatoes!”) and whimsy (she imagines her medical battles as epic fantasy fights and pretends MRI stands for Mustard Rat from Indiana or Mustaches Rock Importantly), but they also portray her as a model sick kid. She’s frightened but never acts out, snaps, or resists. Her most frequent commentary about the tumor, having her skull opened, and the possibility of death is “Boo” or “Super boo.” She even shoulders the bully’s redemption. Maddie and most characters are white; one cringe-inducing hallucinatory surgery dream involves “chanting island natives” and a “witch doctor lady.”
Medically, both squicky and hopeful; emotionally, unbelievably squeaky-clean. (authors’ note, discussion questions) (Fiction. 9-11)Pub Date: Oct. 3, 2017
ISBN: 978-1-62972-330-3
Page Count: 256
Publisher: Shadow Mountain
Review Posted Online: Aug. 1, 2017
Kirkus Reviews Issue: Aug. 15, 2017
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by Chad Morris & Shelly Brown
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by Chad Morris & Shelly Brown ; illustrated by Garth Bruner
BOOK REVIEW
by Chad Morris & Shelly Brown
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