Excellent prose is undercut by a highly implausible ending.
Housebound with severe mental illness, a white teen fights her demons and attempts a romance with a neighbor.
Seventeen-year-old Norah’s high school career ended four years ago. Her illness arrived suddenly; now agoraphobia and OCD prevent her from leaving her house and direct every minute of her day and night. Her unflaggingly supportive and adoring mom home-schools her. Norah narrates her obsessive thoughts, terror, anxiety, tics, coping mechanisms, panic attacks, and losses of consciousness in a first-person voice that’s vivid, tormented, sad, and funny: “ ‘I’m fine. I swear.’ I twirl, because nothing says I’m mentally stable quite like an impromptu pirouette”; “I wonder if I can buy a lobotomy on eBay.” Her self-awareness is believably inconsistent: she knows cutting is self-injury but won’t accept that skin-scratching—which she does constantly, until she bleeds—also counts. She tries to date the respectful, devoted, almost-impossibly-perfect boy next door without leaving her house or touching him. She’s a “tall skinny blonde with baby-blue doe eyes,” but her insecurities meld into her illness. Although Norah’s voice is droll, desperate, and compelling, her illness rules her plot arc as it rules her life. Disturbingly, Gornall uses a home invasion as a catalyst for Norah’s out-of-the-blue progress at the end, rendering this traumatic event as not only benign—leaving no emotional scars—but productive.
Excellent prose is undercut by a highly implausible ending. (author’s note) (Fiction. 14-18)Pub Date: Jan. 3, 2017
ISBN: 978-0-544-73651-1
Page Count: 336
Publisher: Clarion Books
Review Posted Online: Oct. 10, 2016
Kirkus Reviews Issue: Nov. 1, 2016
A heavy read about the harsh realities of tragedy and their effects on those left behind.
In this companion novel to 2013’s If He Had Been With Me, three characters tell their sides of the story.
Finn’s narrative starts three days before his death. He explores the progress of his unrequited love for best friend Autumn up until the day he finally expresses his feelings. Finn’s story ends with his tragic death, which leaves his close friends devastated, unmoored, and uncertain how to go on. Jack’s section follows, offering a heartbreaking look at what it’s like to live with grief. Jack works to overcome the anger he feels toward Sylvie, the girlfriend Finn was breaking up with when he died, and Autumn, the girl he was preparing to build his life around (but whom Jack believed wasn’t good enough for Finn). But when Jack sees how Autumn’s grief matches his own, it changes their understanding of one another. Autumn’s chapters trace her life without Finn as readers follow her struggles with mental health and balancing love and loss. Those who have read the earlier book will better connect with and feel for these characters, particularly since they’ll have a more well-rounded impression of Finn. The pain and anger is well written, and the novel highlights the most troublesome aspects of young adulthood: overconfidence sprinkled with heavy insecurities, fear-fueled decisions, bad communication, and brash judgments. Characters are cued white.
A heavy read about the harsh realities of tragedy and their effects on those left behind. (author’s note, content warning) (Fiction. 14-18)Pub Date: Feb. 6, 2024
ISBN: 9781728276229
Page Count: 416
Publisher: Sourcebooks Fire
Review Posted Online: Jan. 5, 2024
Kirkus Reviews Issue: Feb. 1, 2024
BOOK REVIEW
There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head.
The finely drawn characters capture readers’ attention in this debut.
Autumn and Phineas, nicknamed Finny, were born a week apart; their mothers are still best friends. Growing up, Autumn and Finny were like peas in a pod despite their differences: Autumn is “quirky and odd,” while Finny is “sweet and shy and everyone like[s] him.” But in eighth grade, Autumn and Finny stop being friends due to an unexpected kiss. They drift apart and find new friends, but their friendship keeps asserting itself at parties, shared holiday gatherings and random encounters. In the summer after graduation, Autumn and Finny reconnect and are finally ready to be more than friends. But on August 8, everything changes, and Autumn has to rely on all her strength to move on. Autumn’s coming-of-age is sensitively chronicled, with a wide range of experiences and events shaping her character. Even secondary characters are well-rounded, with their own histories and motivations.
There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head. (Fiction. 14 & up)Pub Date: April 1, 2013
ISBN: 978-1-4022-7782-5
Page Count: 336
Publisher: Sourcebooks Fire
Review Posted Online: Feb. 12, 2013
Kirkus Reviews Issue: March 1, 2013
BOOK REVIEW
SEEN & HEARD
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